Framed: 50 x 70 cm
Ukraine is under tension due to the politics of President lanoukovitch since 2010. Numerous passive demonstrations against the government have led to numerous police repression of the protestors. The demonstration ‘Euromaïdan’ in 2013 is a perfect example. Realized following the decision of Ianoukovitch not to sign the political association and free trade agreement with the European Union mobilized Ukrainians to demonstrate in the streets of Kyiv. The demonstration was repressed by the security forces of Kyiv and resulted in the death of 108 demonstrators and many injured. Based on photos from 2012-2013, Nikita Kadan realized the watercolor series Controlled Incidents as an archive of these scenes of police violence. The bodies seem to disappear in the pages leaving the void as a manifestation of the absence of traces of this uprising of citizens and the propaganda orchestrated by the state.
Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists. His practice critically engages with the social, cultural, and political experiences of Ukrainian citizens and their current and past relationships to their former Soviet era. Kadan is a member of a Ukrainian artist collective called R.E.P. (Revolutionary Experimental Space) since 2004 and founding member of HUDRADA (Artistic Committee), a curatorial and activist collective, since 2008.
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
The series The Memory of Trees is specifically about trees, and what trees have witnessed in South Africa: for example, trees that were used as locations for slave trading, or trees that was during the anti-Apartheid struggle as a kind of identifier for a safe house for activists who were fleeing from security forces...
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...