The Consciousness of Memory, Time and Guilt

2014 - Painting (Painting)

100 x 100 cm

Anna Boghiguian


In the painting called “The Consciousness of Memory, Time, and Guilt” as in many of her recent works, the body is fragmented. The brain, the ear, the eyes, these body parts that put us in relation with the other and link the visible to the invisible, remain isolated. Whereas the skulls are joined by lines evoking rivers. She often used images of the Ganga and of the Nile, two rivers burdened with history. The words “consciousness, memory, guilt, time, collective” create a new level of connections. One can notice an ear, which could link to the inside and the outside of the body while referring to the aspect of sound, the noise of the world we are part of. Anna Boghighian constructs an eminently personal space inhabited by her story but nevertheless aware of the world and the transformations and mutations at stake.


Anna Boghighian makes drawings and paintings of individuals and urban spaces as well as being a writer and a poet. Her artistic process can be seen as an attempt to make a cartography of the world. According to her, individuals are conditioned by the environment that surrounds them, and the “self “ by the walls build by cultural, religious or political conditioning. She constantly travels in order to abolish frontiers, creating wherever she is, but always ending up returning to her hometown Cairo. In the 1960s, she composed music using the sounds of the city that she then adapted into a painting. Her paintings always present dense compositions to which she sometimes associates some of her writings. Her narratives mix personal stories and politics, ranging from the past to the present, deconstructing reality to create a mythological aspect, depicting a world in movement, in constant transformation.


Colors:



Related artist(s) to: Anna Boghiguian » Cevdet Erek, » Elif Obdan, » Füsun Onur, » Marcos Lutyens, » Pierre Huyghe, » Adriano Pedrosa, » Aslı çavuşoğlu, » Başak şenova, » Caroline Widmer, » Elvan Zabunyan

Bayramiç Stone Mill
© » KADIST

Asli Çavusoglu

2020

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

Mesopotamia Women’s Cooperative
© » KADIST

Asli Çavusoglu

2020

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

Future Tense
© » KADIST

Asli Çavusoglu

2018

Future Tense (2017), a 16-page diary, is a project in the form of a newspaper that brings together 50 oracles by people from various political opinions and ethnicities who consulted sand, lead, tarot cards, coffee grounds, blank sheets of A4 paper, dreams, water, clairvoyance, astrology, pendulums and horoscopes in order to reveal the point that Turkey has reached in news casting...

The Devrek Sun Agricultural Development Cooperative
© » KADIST

Asli Çavusoglu

2020

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...