In this four-channel 10 min video installation different episodes play simultaneously on the four screens. The artist has arranged several different scenarios and symbolic props which make it easy for viewers to feel the pervasive ambiguity which cannot be put into words. On the one hand, our imagination is tempted by the delicate details, but on the other hand, our imagination is limited through a very rigorous structure. The gradual increasing sound of the violin – musicians pulling repeatedly with A in C major tortures the audience’s visual and hearing senses. A man with a hand full of colorful balloons, moves his arm rhythmically up and down. A young girl sits, smiling, on the mattress covered by flowers. The shadows of a flying flag reflect on the wall. Through a language full of hints, the artist wants to express critical attitude towards control.
Pioneer of video art in China, Zhu Jia’s works have often dealt with ‘realness’ and everyday life, though often in unconventional ways. One of his most famous pieces, Forever (1994) saw him fix a camera onto the wheel of a Forever tricycle and pedal it around the streets of Beijing. The resulting video is a disorientating, constantly spinning and almost nausea-inducing tour of the city. Both Forever and Never Take Off (2002), which features a plane infinitely taxiing along a runway, have established Zhu as a pioneer of video art in China, together with artist Zhang Peili.
ArtsEquator's Hot List: January 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 6, 2021 Every first Wednesday of the month, ArtsEquator will release a list of recommended shows/events/programmes that our readers can look out for in that month...
After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy...
From Green to Orange is a series of silver films immersed in a bath of dye and rust...
Weekly Picks: Malaysia (4–10 Feb 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 4, 2019 Puja Pantai Festival 2019 , at Mah Meri Cultural Village, 9 Feb, 10am–3pm Puja Pantai is an ancient Mah Meri ritual, and members of the public are invited to witness it...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Soufiane Ababri’s desire to construct a historical family and a genealogy of queer kinships in Bedwork / Yes I AM sees him conjuring up a pantheon of gay writers and artists whose intellect has changed the course of human history and development, despite their outsider status...
The best East Asian films of 2023 | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Film & TV Dazed Review 2023 From Ryusuke Hamaguchi’s long-awaited Evil Does Not Exist, to Hirokazu Kore-eda’s ‘absolute masterpiece’ Monster 12 December 2023 Text James Balmont The year 2023, now coming to a bitter end, was jam-packed with all kinds of zeitgeist-piercing movies...
Weekly Picks: Indonesia (18 - 24 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 18, 2019 Top Picks of Indonesia art events in Bali, Bandung and Jakarta from 18-24 February 2019 To celebrate the TiTian Art Space’s 3rd Anniversary, the art space and organization presents EXPLORATION , a group exhibition that serves also as an initiative to encourage artists to break boundaries...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Weekly Picks: Malaysia (3 – 9 Sept 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 3, 2018 Merdeka State of Mind documentary screenings , at APW, 8 & 9 Sept, 8pm A celebration of freedom of expression in Bangsar, this festival features two nights of timely documentary screenings: the subjects of child brides in Malaysia, and the Orang Asli blockades currently under siege in Kelantan...
The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...
Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows - arts24 Skip to main content Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows Issued on: 03/11/2023 - 15:44 11:25 arts24 © FRANCE 24 By: Solène CLAUSSE | Marion CHAVAL | Magali FAURE | Clémence DELFAURE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI Akeem Smith grew up between Brooklyn, New York and Kingston, Jamaica, where his aunt and grandmother were figures of the city's dancehall culture...