In this four-channel 10 min video installation different episodes play simultaneously on the four screens. The artist has arranged several different scenarios and symbolic props which make it easy for viewers to feel the pervasive ambiguity which cannot be put into words. On the one hand, our imagination is tempted by the delicate details, but on the other hand, our imagination is limited through a very rigorous structure. The gradual increasing sound of the violin – musicians pulling repeatedly with A in C major tortures the audience’s visual and hearing senses. A man with a hand full of colorful balloons, moves his arm rhythmically up and down. A young girl sits, smiling, on the mattress covered by flowers. The shadows of a flying flag reflect on the wall. Through a language full of hints, the artist wants to express critical attitude towards control.
Pioneer of video art in China, Zhu Jia’s works have often dealt with ‘realness’ and everyday life, though often in unconventional ways. One of his most famous pieces, Forever (1994) saw him fix a camera onto the wheel of a Forever tricycle and pedal it around the streets of Beijing. The resulting video is a disorientating, constantly spinning and almost nausea-inducing tour of the city. Both Forever and Never Take Off (2002), which features a plane infinitely taxiing along a runway, have established Zhu as a pioneer of video art in China, together with artist Zhang Peili.
ArtsEquator's Hot List: January 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 6, 2021 Every first Wednesday of the month, ArtsEquator will release a list of recommended shows/events/programmes that our readers can look out for in that month...
How to get lucky in the Year of the Dragon: money, colours, clothing, food | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Worshippers pray at Wong Tai Sin Temple in Hong Kong on the fourth day of the Lunar New Year holidays on January 25, 2023...
Weekly Picks: Malaysia (4–10 Feb 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 4, 2019 Puja Pantai Festival 2019 , at Mah Meri Cultural Village, 9 Feb, 10am–3pm Puja Pantai is an ancient Mah Meri ritual, and members of the public are invited to witness it...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
From Green to Orange is a series of silver films immersed in a bath of dye and rust...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Valentine’s Day 2024: try five new ways to share the love | Wallpaper This bag charm – a raspberry ‘dice’ in brass and enamel, £100, by Loewe – is a cute alternative to hearts and flowers on Valentine’s Day 2024 (Image credit: Courtesy Loewe) By Caragh McKay published 9 February 2024 We’re reconsidering our options for Valentine’s Day 2024...
Invisible Ink – ARTnews.com Skip to main content By Richard Vine Plus Icon Richard Vine Managing Editor, Art in America View All March 3, 2014 2:10am View Gallery 6 Images “ Ink Art: Past as Present in Contemporary China ,” now at New York’s Metropolitan Museum of Art , seems at first to be a long-awaited corrective to Western myopia in regard to Chinese ink painting and calligraphy...
Studios Are Loosening Their Reluctance to Send Old Shows Back to Netflix - The New York Times Media | In Search of Cash, Studios Send Old Shows Back to Netflix https://www.nytimes.com/2023/12/15/business/media/netflix-licensed-shows.html Share full article 195 Advertisement SKIP ADVERTISEMENT For years, entertainment company executives happily licensed classic movies and television shows to Netflix...
The Data Behind Artsy’s Online Art Fair, Foundations | Artsy Skip to Main Content Art Market The Data Behind Artsy’s Online Art Fair, Foundations Arun Kakar Feb 8, 2024 5:39PM Underway through February 14th, Artsy’s online art fair Foundations spotlights 130 tastemaking galleries from more than 35 countries worldwide, united by their ability to uncover fresh and underrecognized artists...
After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Soufiane Ababri’s desire to construct a historical family and a genealogy of queer kinships in Bedwork / Yes I AM sees him conjuring up a pantheon of gay writers and artists whose intellect has changed the course of human history and development, despite their outsider status...
Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows - arts24 Skip to main content Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows Issued on: 03/11/2023 - 15:44 11:25 arts24 © FRANCE 24 By: Solène CLAUSSE | Marion CHAVAL | Magali FAURE | Clémence DELFAURE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI Akeem Smith grew up between Brooklyn, New York and Kingston, Jamaica, where his aunt and grandmother were figures of the city's dancehall culture...