Colonia China
2014 - Photography (Photography)
Mimian Hsu Chen
In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast. Serving as the final resting place for Chinese migrants who came to Coast Rica during the late nineteenth century as indentured laborers working to construct the Transatlantic Railroad, the Colonia China speaks to a long but divided history. Hsu’s photographs of the burial ground also echo her interest in typography, with blocky black lettering and painted Chinese characters marking the cemetery as a space belonging to two different worlds.
Costa Rica-based artist Mimian Hsu works with photography, documents, typography, and objects to construct site-specific installations, performances, and projects that explore intersecting cultural identities. As the daughter of Taiwanese immigrants who grew up in Latin America, Hsu has long been interested in hybridized identities and histories. Drawing on her own autobiography and the historical shifts and migrations between Asia and Latin America, Hsu draws upon photographs, archives, architectures, and typography to create site-specific interventions, installations, and performances that speak to this duality of culture, assimilation, and erasure.
Colors:
Related works sharing similar palette
© » SLASH PARIS
Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...
© » KADIST
Nick Mauss
2015As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...
© » ARTS EQUATOR
Singular Screens – Cinema, the way you want it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles SIFA 2020 September 4, 2020 As Singapore gets used to life under Phase 2 of our COVID-19 relaxation measures, players like Singapore Festival of the Arts (SIFA) – or its gentle rebrand SIFA v2.020 – are responding with programmes that are welcoming us back into a semblance of normalcy...
© » KADIST
Barbara Kasten
2008Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
© » LE MONDE
Le tatouage, un terrain de jeu artistique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres d’Ouriel Zéboulon exposées lors du vernissage de l’exposition « Faire Fair 2 », à l’espace 3537, à Paris, en avril 2023...
© » ARTNEWS RETROSPECTIVE
Laura Raicovich on a 1954 Article About the State of Western Museums – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All March 19, 2021 1:39pm ©ARTnews Today, critics of museums’ values point to histories of colonialism and structural racism...
© » MODERN MET PHOTOGRAPHY
Photographer Endures Icy Temps to Photograph Arctic Animals Home / Photography / Wildlife Photography Photographer Endures Icy Temperatures to Photograph Beautiful Arctic Animals By Jessica Stewart on February 7, 2024 Photographer Konsta Punkka was just a teenager when he transformed his passion into a full-time career...
© » KADIST
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
© » KADIST
Kitty Kraus
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...
© » KADIST
Reza Aramesh
2016The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...