Colombia
2014 - Sculpture (Sculpture)
Nicolás Consuegra
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist. Consuegra’s mirrored Colombia is similar to an earlier version, made to be show opposite a mirror of the United States. Whether reflecting his two homes within one another (Consuegra studied in the US and has made several works about this experience of living in exile from his homeland), or simply reflecting its surroundings, Colombia is a simple yet evocative work about the identity of a nation, and the things that we project—really and metaphorically—onto its form. Nicolás Consuegra explores the contradictions of modern visual culture through his photographs, sculptures, paintings, and installations. Much of his work deals with subtle differences between one thing and another, whether they are visual differences or semiotic shifts. He creates visual games specifically intended to engage with Modernism’s crisply defined aesthetics. Consuegra’s shrewd alterations expose the superficiality of our shared understanding of the mid-twentieth century, calling into question our perception of reality and temporality.
Nicolás Consuegra (b. 1976, lives in Bogotá) explores the contradictions of modern visual culture through his photographs, sculptures, paintings, and installations. Much of his work deals with subtle differences between one thing and another, whether they are visual differences or semiotic shifts.
Colors:
Related works sharing similar palette
© » ARTNEWS RETROSPECTIVE
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
© » KADIST
Milena Bonilla
2009Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
© » KADIST
Gan Chin Lee
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » KADIST
Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
© » KADIST
Oren Pinhassi
2020Oren Pinhassi’s work examines the relationship between the human figure and the built environment...
© » KADIST
Sheroanawe Hakihiiwe
2019Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
© » KADIST
Colter Jacobsen
2010The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
© » KADIST
Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » KADIST
Daniel Boccato
2017Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...
© » KADIST
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
© » KADIST
Marcelo Cidade
2010Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
© » KADIST
Zach Reini
2015Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
© » KADIST
Jessie Stead
2017Jessie Stead’s Punched Interlude works are made out of found police barricade tape that she punches holes in and then runs through a music box, the music is composed by her as audible reflection on barricades and no go zones throughout the city of New York in area of Donald Trump...
© » KADIST
Felipe Arturo
2012Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
© » KADIST
Marina Rosenfeld
2019The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
© » KADIST
Fabiola Torres-Alzaga
2013Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
© » KADIST
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...