In the Collage II (Marie)
2013 - Photography (Photography)
Collier Schorr
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop. Although photographed topless, Marie is depicted in slightly contorted poses that emphasize the curves of her figure while also obstructing the viewer’s gaze. Printed on high gloss paper, Marie’s portrait has the polished veneer of magazine spread, and the two portraits on display offer different vantages of the same subject. But Schorr subverts expectations: instead of framing the images flat, Schorr loosely rolls the two prints, displaying them in a clear vitrine mounted on top of a white rectangular pedestal. The display raises questions about modes of spectatorship that objectify female bodies. At the same time, Schorr activates a physicality through these portraits that belies the conventional flatness of photography. By encouraging her audience to examine her vitrine from all sides, Schorr engagers her viewer in a more complex and multi-faced mode of viewership and, by extension, allows her portraits to be seen with a kind of dimensionality closer to real life.
Collier Schorr photographs communities of people, from high school wresters in her native New York to teenagers in the German countryside clad in American military uniforms. Her work displays an almost anthropological curiosity, and in documenting her subjects, she tries to find the idiosyncratic details through which people organize into “tribal” relationships with one another. Her images, by extension, blend photographic realism with elements of fiction and fantasy as a means of representing the various ways these tribes identify themselves. Schoor’s work also investigates gender and the ways in which subjects use visual cues and embodied signs to both inhabit and subvert assumed gender expectations.
Colors:
Related works sharing similar palette
© » ART AND CAKE
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Regional take on arty banana; arts centre on Fish Island | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Marketing Interactive December 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » KADIST
Nagendra Gurung
2005Chalis Katesi Ramaula is a series of 240 prints capturing Nagendra Gurung’s life, work, and colleagues from the construction sites where he has worked in Dubai and Saudi Arabia...
© » KADIST
Phan Quang
2013Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
© » CONTEMPORARYAND
Darling, this is Switzerland | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Greetings from Rosie Olang’ Odhiambo Darling, this is Switzerland On a curatorial research trip through Switzerland, curator Rosie Olang’ Odhiambo shares her impressions in five postcards with a loved one in Nairobi...
© » KADIST
Dora Garcia
2008Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...
© » NYTIMES LENS
Afro-Ecuadoreans Maintain Identity Through Spiritual Practices - The New York Times Lens | Afro-Ecuadoreans Maintain Identity Through Spiritual Practices https://www.nytimes.com/2019/05/31/lens/afro-ecuadoreans-identity-spiritual-practices.html Give this article Share Advertisement Continue reading the main story As a teenager growing up in Ecuador, Johis Alarcón was mesmerized by hip-hop culture...
© » KADIST
Ishola Akpo
2021Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
© » KADIST
Voluspa Jarpa
2012To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
© » KADIST
Guy Woueté
2019The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
© » ART CENTRON
Turner Prize Winner Jesse Darling Claims the Spotlight - Artcentron Home » Turner Prize Winner Jesse Darling Claims the Spotlight ART Dec 15, 2023 Ξ Leave a comment Turner Prize Winner Jesse Darling Claims the Spotlight posted by ARTCENTRON Jesse Darling, Turner Prize Winner with Delirious at Towner Easbourne...
© » SLASH PARIS
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
© » KADIST
Ahmet Ögüt
2022Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...