84.3 x 126 cm
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention. Many of his works operate a distancing which is forced through the reconstitution of memory, distanced from reality. The beauty of these images lie often in the colors which cover the sky or the light which falls on the body of a child, shifting the viewer into a world that is as unreal as it is spectacular.
Harit Srikhao perceives photography as a culturally determined medium. His practice aims to unveil the capacity of the photographic image to construct historical authority and serve as propaganda. Blending fiction and reality, he aims to interrogate systems of control through which people perceive themselves, others, and the world that surrounds them. He continually probes the role assigned to truth, particularly in the history of the construction of the nation, when governing forces interfere with religion, monarchy and army. These works underline the ambiguity between social and cultural discourses which surround photography in Thailand which are very distant from Western theories of artistic photography from the 1980s and 1990s. For him photography is a tool to shed light on facts which have not been exposed by documentary photography.
ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Connexion Newsletter Twitter Facebook ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour ALICEGAVINSERVICES™ Exposition Design, graphisme, techniques mixtes Derniers Jours Alice Gavin, ALICEGAVINSERVICES™, sans titre Crédit photo : Léonard Méchineau ALICEGAVINSERVICES™ Encore 6 jours : 14 septembre → 17 décembre 2023 Cet automne, dans le cadre de sa saison dédiée au design graphique, la MABA présente, du 14 septembre au 17 décembre, une exposition consacrée à ALICEGAVINSERVICES™...
ALICEGAVINSERVICES™ — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook ALICEGAVINSERVICES™ — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back ALICEGAVINSERVICES™ Exhibition Design, graphic design, mixed media Closing Alice Gavin, ALICEGAVINSERVICES™, sans titre Crédit photo : Léonard Méchineau ALICEGAVINSERVICES™ Ends in 6 days: September 14 → December 17, 2023 Cet automne, dans le cadre de sa saison dédiée au design graphique, la MABA présente, du 14 septembre au 17 décembre, une exposition consacrée à ALICEGAVINSERVICES™...
Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guillaume Chamahian — Détritique 2 Exhibition Photography, mixed media, video Upcoming Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 In 2 days: Wednesday, December 20, 2023 3 PM → 9 PM Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
Italian Culture Minister Investigated Over Stolen Manetti Painting | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Like many contemporary photographers who play with the codes of realism, Valérie Jouve composes her images, having already a more or less predetermined result in mind, in order to deliver a complex representation of the world instead of a bold presentation of facts...
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
Studios Are Loosening Their Reluctance to Send Old Shows Back to Netflix - The New York Times Media | In Search of Cash, Studios Send Old Shows Back to Netflix https://www.nytimes.com/2023/12/15/business/media/netflix-licensed-shows.html Share full article 195 Advertisement SKIP ADVERTISEMENT For years, entertainment company executives happily licensed classic movies and television shows to Netflix...
Dominika Olszowy, Vesuvius eruption victim’s brain turned to glass - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Dominika Olszowy Dominika Olszowy, Vesuvius eruption victim’s brain turned to glass September 23, 2022 Exhibition opening: September 23rd from 6 pm Exhibition duration: September 23rd – November 2nd, 2022...
The best East Asian films of 2023 | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Film & TV Dazed Review 2023 From Ryusuke Hamaguchi’s long-awaited Evil Does Not Exist, to Hirokazu Kore-eda’s ‘absolute masterpiece’ Monster 12 December 2023 Text James Balmont The year 2023, now coming to a bitter end, was jam-packed with all kinds of zeitgeist-piercing movies...
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
Mozambican photographer uses pictures to highlight country’s colonial past - France 24 Skip to main content Mozambican photographer uses pictures to highlight country’s colonial past Issued on: 16/08/2023 - 11:51 Modified: 16/08/2023 - 12:03 01:31 A Mozambican photographer uses pictures to highlight the country’s colonial past...