170 x 75 cm
From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable. In doing so, the artwork challenges the way we perceive the body and explore the relationship between the human body and the machine, and between humans and nature. As a consequence, perceptions on sexuality, sex organs and representations of the body are questioned through a symbiosis between humans, machines and nature. The composition of Chimeric Antibodies I and 3 is inspired by ancient or alchemical imagination of energy flow and by old drawings of energy fields of atoms and molecules. Angela’s interest in old scientific illustrations relate to her questioning of how different they are from present day depictions, in the same way as maps could be, and how it has shaped our understanding of what “nature” is, the body, and defined notions of gender. The lack of visualizing technology and equipment in the past also leaves a lot of space for imagination. As the artist says, “there is always a negotiation or oscillation between the real and the imaginary. And this is what I try to convey and explore through my drawings.”
Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts. Known for her intricate scientific drawings where delicacy of technique is contrasted with ambiguous and sometimes unsettling content, Angela Su combines in her works the analytical approach of a scientist with a deep sensitivity toward the felt, visceral experience. She connects her ideas through her imaginative drawings to this blending of science and alchemy, and recognizes the mutability or change, in species, whether human animal or the insect variety. Interested in science-fiction, medicine, and advanced computational technologies, her works (drawings, video, hair embroidery and installation) focus on the interrelations between our state of being and scientific technology, and more recently her mental and physical illness and social control.
Saturday, January 20, 2023, 1.30 pm (off-site) Performance by Duto Hardono, Variation & Improvisation for ‘In Harmonia Progressio’ (2017) at the Asian Art Museum Presented at and in collaboration with the Asian Art Museum, as part of Speculative Fabulation: New Voices, New Stories at the Asian Art Museum Friday, February 2, 2024, 7–9 pm The Fugue of the Cicada Songs An evening of sound performances organized in collaboration with Cone Shape Top, on the occasion of the launch of de montañas submarinas el fuego hace islas : Reader Volume Two co-published with Sming Sming Books Thursday, February 8, 2024, 5 pm (off-site) Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese Presented at and in collaboration with the University of California, Berkeley’s Center for Latin American and Caribbean Studies: 2334 Bowditch St, Berkeley, CA 94720 Wednesday, February 10, 2024, available to view on KADIST.tv from February 19, 2024 (this program takes place off-site and online) de montañas submarinas el fuego hace islas , screening program co-curated by Yina Jiménez Suriel and Arianna Mercado at MCAD Manila – Museum of Contemporary Art and Design, Manila de montañas submarinas el fuego hace islas , reader A bi-lingual reader, co-published with Sming Sming Books, with the support of the Center for Latin American and Caribbean Studies, University of California, Berkeley will be available in February 2024...
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