Chalis Katesi Ramaula
2005 - Photography (Photography)
13.97 x 15.24 cm
Nagendra Gurung
Chalis Katesi Ramaula is a series of 240 prints capturing Nagendra Gurung’s life, work, and colleagues from the construction sites where he has worked in Dubai and Saudi Arabia. When seen together, the sequence appears to have a cinematic temporality, as one feels the passing of the years he has endured as a migrant worker. Gurung’s subjectivity is highly present, even when looking at the most banal scenes of cranes, concrete, and other machinery, which are rapidly transforming the landscape and society of the Gulf into its own version of capitalist futurism built through the exploitation of others. Taken with his phone’s camera, t?he size of the images follow the ratio and size of a phone’s screen, thus capturing the audience’s attention through a familiar, subjective representation of ‘reality’; in this case, the harsh reality of global capitalism as it is lived through the body and eyes of the photographer/worker. Gurung’s contemplation of the world, therefore, touches upon the divisional lines of work and leisure, turning the act of shooting a photograph into political, micro-political resistance.
Since the mid-2000s, Nagendra Gurung has practiced photography in parallel to his life as a migrant worker in Dubai and Saudi Arabia. He currently works as a bulldozer operator at the construction site of a large underground water channel for Al-Qassim city in the heart of the Arabian Peninsula. Taken with his cell phone, his photographs depict his everyday life as a migrant laborer, meticulously cataloging his worksite, living quarters, and colleagues. With a clear sensibility for patterns and forms, his gaze unpacks the harsh labor conditions of ‘guest workers’ who are heavily dehumanized in the places that hire them, yet they are the backbone of the Gulf’s financial success. His images are a testament to the inherent violent structures within global capitalism.
Colors:
Related works sharing similar palette
© » ART AND CAKE
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » KADIST
Rudolf Polanszky
2005Polanszky’s sculpture is made from raw, found materials that have the patina of age...
© » KADIST
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
© » SLASH PARIS
Animals — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Animals — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Animals Exhibition Mixed media Vue de l’exposition Animals, galerie Loevenbruck, Paris © Photo Fabrice Gousset, courtesy Loevenbruck, Paris Animals Ends in about 1 month: November 17, 2023 → January 20, 2024 Animals is a collective exhibition that brings together artworks from different cultures and periods, all exploring the theme of the animal figure...
© » KADIST
Guy Woueté
2019The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
© » KADIST
Phan Quang
2013Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
© » KADIST
An ever-growing collection of scripts, ideas and works by: Julieta Aranda, Olivier Babin, Francisco Camacho, Derick Carner, Asli Cavusoglu, Etienne Chambaud, Audrey Cottin, Torreya Cummings, Gintaras Didziapetris, Cerith Wyn Evans, Michael Fliri, Mark Geffriaud, Fabien Giraud & Raphaël Siboni, Loris Gréaud, Graham Gussin, Will Holder, Pierre Huyghe, Joachim Koester, Gabriel Lester, Jennifer Di Marco, Patrizio Di Massimo, Nicholas Matranga & Francesca Bennet, Piero Passacantando, Cesare Pietroiusti, Matthew Shannon, Snowden Snowden, Gareth Spor, Maryelizabeth Yarbrough, Carey Young...
© » KADIST
Walid Raad
2009“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized...
© » KADIST
Collier Schorr
2013In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
© » NYTIMES LENS
At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ - The New York Times Lens | At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ https://www.nytimes.com/2019/05/29/lens/fred-baldwin-photography.html Give this article Share Advertisement Continue reading the main story Fred Baldwin reckons he could have become a writer — if the manual Olivetti typewriter he used while studying at Columbia in 1955 had spell-check...
© » KADIST
Douglas Gordon
2002Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
© » NYTIMES LENS
Afro-Ecuadoreans Maintain Identity Through Spiritual Practices - The New York Times Lens | Afro-Ecuadoreans Maintain Identity Through Spiritual Practices https://www.nytimes.com/2019/05/31/lens/afro-ecuadoreans-identity-spiritual-practices.html Give this article Share Advertisement Continue reading the main story As a teenager growing up in Ecuador, Johis Alarcón was mesmerized by hip-hop culture...
© » KADIST
Allan deSouza
For the photographic series Rumpty Trumpty , in 1997, Allan deSouza photographed the Trump Taj Casino in Atlantic City, NJ, reprinting the images again in 2017, from digital scans of the negatives...
