27:38 minutes
Canton Novelty by Fang Lu captures the adventure of a group of three girls, Ruohan, Lily and Zoe on a summer vacation in Guangzhou, China. Throughout the course of the trip, they film themselves with their cell phones singing in a karaoke room, shopping at a hardware store, sitting at a park, hanging out in a hotel room and exploring a neighborhood looking at vacant apartment ads. Although their days may seem uneventful, the girls seemingly discover the ability to perform impossible “miracles,” including cooking a full pot of rice from three grains, summoning objects to appear and disappear, and turning off street lamps on command. Drawing inspiration from daily life is the overarching theme found in Lu’s body of work. Here, instead of visiting historical landmarks and seeking out-of-the-ordinary amusements, the group creates extraordinary moments while simply walking down the street or eating at a restaurant table. Canton Novelty exemplifies the artist’s signature style of filmmaking that she has progressively developed in the past ten years. This includes transforming simple tasks and everyday actions into built up tensions between the choreographed and the unrehearsed, filming women in domestic spheres in such a way in which they become instruments of performativity (gender roles), and creating superficial environments, or “situated reality” that examine hidden truths from daily experience that are often dismissed.
Fang Lu uses intimacy as a place for self-expression in her videos and draws out mundane moments from everyday life as a strategy to heighten one’s awareness of existence from the rest of the world. Instead of using the camera as a tool to document or capture, she stages a superficial experience, or “situated reality,” that locates the self in relation to a relationship, environment, or idealistic notion. For example, examining behavioral patterns of being in love or being sequestered in an empty building with nothing but circulated online images. For Fang, there is no one reality and everyone creates her own reality. Thus, her practice is an ongoing exploration of self-awareness and seeking realization of truths within experience, and the content in and direction of her videos are directly influenced by her immediate and living environment.
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...