Campaign for Braddock Hospital

2011 - Photography (Photography)

43 cm x 35.5 cm (each)

LaToya Ruby Frazier


LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live. She reports upon the decline of this steel-producing town, which was once prosperous and where the local population today is devastated by poverty, unemployment and health problems linked to pollution. The town has currently closed the hospital which increases unemployment and makes access to treatment complicated for the residents of one of the most polluted towns in the USA. Through this documentary work with ties to the intimate, she goes beyond the basic information to touch upon the human consequences of these tragedies. Frazier’s images are embedded in the history of the United States of America and they highlight what is unspoken in the social landscape. Her work is focused on the tragedy of Braddock, a town hit by a slow decay and increasing poverty (steel factories closing, crack epidemic, community debacle, disappearance of shops and urban equipment). The captioned photographs of protests and advertising are printed with a textured effect, burnt-looking, recalling the “Rusty Belt” nickname for the steel factories of this region. The portfolio reports on a new wave of devastation, that of a workers’ culture in the process of disappearing. In 2009, the Levi’s brand chose the town as the backdrop of its new advertising campaign, focusing on the figure of the “new pioneer”. Frazier mixes photographs of this campaign with others of the town and its protests against the closure and destruction of the hospital in a form of critique of the utilization of this town and its population by Levi’s. The juxtaposition of these images documents and denounces the violent and jarring economic ambiguity of the commercial dynamic that feeds off a tragedy and a decrepit context. The proceeds of the sale of these artworks will go to the activist groups fighting for the reconstruction of the hospital.


LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania (USA). She lives and works in New Brunswick, New Jersey and New York.


Colors:



Related works sharing similar palette

Rocket Society. Restaged series
© » KADIST

Joana Hadjithomas & Khalil Joreige

Rocket Society refers to a space project led by a group of Armenian researchers at the beginning of the 1960s...

Efficiency & Abyss #1
© » KADIST

Gabriel Pericas

2014

“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...

ANCER Lab 03 Manila: How arts managers are surviving COVID-19
© » ARTS EQUATOR

ANCER Lab 03 Manila: How arts managers are surviving COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Mah Jun Yi and Low Pey Sien November 22, 2021 By Wennie Yang (1,200 words, 4-minute read) Pandemic restrictions have put arts and cultural workers and institutions in a bind: choosing between sustaining their missions at times of a global pandemic or ceasing operations altogether...

The Wheat Stele Chronicles: An Underwater Artistic Odyssey with Gola Hundun,”Stele del Grano”
© » BROOKLYN STREET ART

The Wheat Stele Chronicles: An Underwater Artistic Odyssey with Gola Hundun,”Stele del Grano” | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY An Interview With the Artist Who Installs Underwater It’s Christmas time – do you have your underwater tree up yet? Gola Hundun...

Sitting Feeding Sleeping
© » KADIST

Rachel Rose

2013

In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us...

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Art Collector and Credit Suisse Head José Olympio da Veiga Pereira Is the New President of São Paulo Biennial Foundation - via The Art Newspaper
© » LARRY'S LIST

The organisation oversees the city’s international exhibition, as well as the country’s representation at the Venice Biennale and other projects...

Native Art Department International, Bureau of Aesthetics
© » KADIST

KADIST has invited Mercer Union, a non-profit artist-run center in Toronto, Canada for an Art-Space Residency and exhibition in San Francisco...

Roberta Smith on Donald Judd’s ARTnews Writings: ‘A Great Template for Criticism’
© » ARTNEWS RETROSPECTIVE

Roberta Smith on the Power of Donald Judd’s Criticism – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 28, 2020 1:04pm A page from ARTnews ’s October 1959 issue featuring Donald Judd's review of Yayoi Kusama's show at Brata Gallery...

Jean Pigozzi Gifts 45 Works by African Artists to MoMA - via Art Critique
© » LARRY'S LIST

When the Museum of Modern Art closed for renovations on June 15th, it said that its reopening in October would boast a massive rehang of their permanent collect...

Kitt Bennett Crafts Record-Breaking ‘Gif-iti’
© » HIGH FRUCTOSE

Kitt Bennett's "aerial mural work" was recently combined with satellite technology to craft the world's most massive independently created piece of "gif-iti" (or GIF-style graffiti) on 96,875-square-feet of waterfront space in Australia...

Exhibition - Alta Vista Arts Presents Sixteen Women Artists
© » EYE OF PHOTOGRAPHY

© 2023 All rights reserved - The Eye of Photography © Erica Kelly Martin © Nathalie Seaver © Erica Kelly Martin © Nathalie Seaver © Sarah Hadley Alta Vista Gallery 16 Rue Guenegaud, 75006 Paris, France November 01, 2023 to November 12, 2023...

Jota Mombaça: THE SINKING SHIP/PROSPERITY
© » KADIST

Jota Mombaça: THE SINKING SHIP/PROSPERITY see: in the absence of place the planet’s foreigner exits any sense of geography locality is lost, not here nor there...

Sélection galerie : Farnood Esbati chez Christian Berst
© » LE MONDE

Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...

Tauba Auerbach, A Taxonomy of Linear Ornament
© » KADIST

On the occasion of publishing A Partial Taxonomy of Linear Ornament — Both Established and Original — Organized by Shape, Symmetry, Dimension, Iteration and Projection— Including Extrude the Extrusion and Ornament as Entheogen, Tauba Auerbach discusses a range of topics, from topology to gesture, Traditional Chinese Medicine, architecture and (a)symmetry...

Weekly Picks: Malaysia (25–31 Mar 2019)
© » ARTS EQUATOR

Weekly Picks: Malaysia (25–31 Mar 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 25, 2019 For events in Penang this week, go to the Penang Free Sheet ...

Controlled Incidents #2
© » KADIST

Nikita Kadan

2013

Ukraine is under tension due to the politics of President lanoukovitch since 2010...