The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096. Yet Chong photographed these public spaces (shopping centers, museums, MRT stations and schools) between 2004 and 2010. Calendars continues Hong’s conceptual investigation of the intersections between time, space and situation. This ‘archive’ of images projected into the future challenges the ways time is usually recorded and asks to “imagine meaning out of memories in the future?”. Blurring the boundaries between fiction and narration, Calendars prompts viewers to reconsider the world as they know it through the lens of what the futures might be.
Heman Chong is an artist, curator, and writer who creates texts, objects, installations, and situations in order to investigate the manner through which individuals form associations between objects in their environments. Chong’s works have been considered “archetypally conceptual” and recall frameworks of the 1960s in their potential to address collective visions of futuristic utopias. Based largely on books, Chong’s works are striking in their creation of visual order as a means to draw out the “inevitably mnemonic nature of the conceptual object.”
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...