La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico. The title refers to how a shooting star was (in local mythology) interpreted as a head without a body, crossing the sky, signaling the arrival of chaos and destruction. The actor in the video, Michelle Nonó, is in touch with native plants—she’s a medicinal botanist but also a cultural activist. She hosts cultural events in her house, in a primarily Afro-Caribbean and post-industrial area called Carolina. Cats are very common on the island of Puerto Rico, and in this video, the cat is cast as a mythological entity, capable of world-altering transformations. The soundtrack further blends time and space as it alternates between a track from the Peruvian punk band, Los Psychos, and the chirping and croaking music of the coquí frog that populate Puerto Rico’s wet landscapes. These elements combine to imagine a spell that can destroy military industries, confronting the complexities of this system on a poetic plane rather than a rational one.
Beatriz Santiago Muñoz lives and works in San Juan, Puerto Rico. Her approach to making films and videos resembles the careful approach of an ethnographer. She learns about the place, the site of the film, its cultural histories and local mythologies. She learns about the people who are both subject and actors. She invites them to participating through enacting their own life, or an aspect of their cultural history. They trace the contours of cultural memory, and frame political and social issues. Her work combines documentary record, indigenous historical memory, participatory inflections, chance discovery, and fictional explorations.
Another curious element is that it seemed that I was seeing images from the dreams I had that afternoon...
Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
Another curious element is that it seemed that I was seeing images from the dreams I had that afternoon...
Marché Salomon by Beatriz Santiago Muñoz depicts two meat vendors, a young man and woman, chatting in Marché Salomon, a busy Port-au-Prince market...
The work Timur Merah Project 2, the harbour of restless spirit is stretched out on a full cow’s hide, replicates the Kamasan Balinese painterly language that Citra Sasmita has developed in her recent works...
Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios...