Bus Logos

2004 - Photography (Photography)

88 x 88 cm (each)

Yto Barrada

location: Tangier, Morocco
year born: 1971
gender: male
nationality: French-Moroccan
home town: Paris, France

In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe. They become like abstract paintings that recall Modernist formal experimentation. They are somehow symptomatic of the circulation of goods and people that is made to sound so abstract. The commentaries of two Moroccan children that accompany the images reminds us about the fact that everyday candidates to emigration try to spot these buses that will cross the Strait. Many children hide there and undertake long illicit journeys. As is often the case in her photographs, Yto Barrada chose a square format that conveys immobility despite the reference to transport. They are flat, without perspective, like the numerous walls visible in her work. The loss of depth in things ensures that any pain consciously stays separate from the beauty of the images.


Yto Barrada is an artist of Morrocan origin who has worked for many years in Tangier, a urbanized border town influenced by the West. Her work is articulated around Tangier’s territory and raises questions on the city’s rapid infrastructural changes associated with economical development and real-estate speculation. Tangier, in a sense, is at the point of becoming a Moroccan Costa del Sol. “Le project du détroit,” a work that has granted her international visibility, consists of videos and series of photographs, in attempt to describe a city of transit and in transition. For a considerable amount of time, Tangier was the gate to Europe that Schengen closed in 1991. A meeting point between Europe and Africa, the strait of Gibraltar became a “larger Morrocan cemetary” that refugees and asylum seekers used to cross from Tangier. Her work reminds one of documentary reporting, yet with a poetic vision, far from exoticism and spectacle. In her work, the city’s inhabitants, or their traces, find themselves at the heart of her images. Yto Barrada was born in Tangier in 1971. She lives and works between Tangier and Paris.


Colors:



Clouds paintings
© » KADIST

Benoît Maire

The series Clouds paintings by Benoît Maire features oil on canvas works in varying format, in which the artist depicts clouds, using a variety of tools, including a spray gun, paintbrush, or palette knife...

Stalactites (Few More Mistakes). Round Bar of Wood (Portrait of Gilbert & George)
© » KADIST

Saâdane Afif

2005

In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...

Talking Head
© » KADIST

Michel Auder

1981

Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way...

Pop (blue time)
© » KADIST

Saâdane Afif

2005

Blue time is a song co-written by artists Saâdane Afif and Lili Reynaud Dewar...

Related works featuring themes of: » City Scenes, » Color Photography, » Conflict, » Documentary Photography, » French-Moroccan  
» see more

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

n°5 The International Sail
© » KADIST

Enrique Ramirez

2017

Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

Other related works, blended automatically  
» see more

Iris Tingitana Oxalis
© » KADIST

Yto Barrada

2007

This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Related works sharing similar palette  
» see more

ARTSEQUATOR TURNS 5: Here’s 5 articles, podcasts and videos to check out.
© » ARTS EQUATOR

ARTSEQUATOR TURNS 5: Here's 5 articles, podcasts and videos to check out...

La continuidad de los bosques (The Continuity of Forests)
© » KADIST

Minia Biabiany, Jackie Karuti, Isadora Neves Marques, Laura Sofía Pérez, María Isabel Rueda, Ricardo Ariel Toribio, Truong Công Tùng, and Ana Vaz KADIST and Beta Local are pleased to present La continuidad de los bosques...

After Scarcity
© » KADIST

Bahar Noorizadeh

2018

After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy...

Colorful Balloons
© » KADIST

Zhu Jia

2015

In this four-channel 10 min video installation different episodes play simultaneously on the four screens...

Other works by: » Yto Barrada  
» see more

Iris Tingitana Oxalis
© » KADIST

Yto Barrada

2007

This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...

Related artist(s) to: Yto Barrada » Okwui Enwezor, » Hou Hanru, » Udo Kittelmann, » Deutsche Bank, » Roman Ondák, » Wangechi Mutu, » Etel Adnan, » Imran Qureshi, » Meschac Gaba, » Victor Man  
» see more

Hubert Maga (perruque MAVA-musée d'art de la vie active)
© » KADIST

Meschac Gaba

2010

The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...

This Day
© » KADIST

Imran Qureshi

2017

At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century...

Awaiting Enacted
© » KADIST

Roman Ondak

2003

This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...

Untitled (Beirut)
© » KADIST

Etel Adnan

2010

Adnan’s paintings are simple images with bold contrasting colors and rich textures...

Related works found in the same semantic group  
» see more

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours
© » SOUTH CHINA MORNING POST

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours...

Throwing away Millions: When Art Collectors Underestimated NFTs - via Daily Sabah
© » LARRY'S LIST

Who could have known, back in 2017 that non-fungible tokens (NFT) would explode in the manner which they did...

Fathers #18 and Fathers #27
© » KADIST

Taysir Batniji

2006

Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...

Oakland Girls
© » KADIST

Pascal Shirley

2006

Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...