Bodily Study of Unthinking Groups
2016 - Sculpture (Sculpture)
Matthew Angelo Harrison
In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil. Harrison’s forged archeological artifact compresses two cultural contexts together: that of Africa, represented by the bleached zebra skull; and that of Detroit, the birthplace of the American car. Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others. This fusion makes sense when you look at his biography: born in Detroit and trained in sculpture at the Art Institute of Chicago, Harrison also works, by day, at the Ford Motor Company, creating prototypes for the cars of the future. In his artistic practice, Harrison is interested in mining available—often commercialized—forms of African culture, looking at these artifacts from the point of view of an urban African American in the twenty-first century.
Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others. This fusion makes sense when you look at his biography: born in Detroit and trained in sculpture at the Art Institute of Chicago, Harrison also works, by day, at the Ford Motor Company, creating prototypes for the cars of the future. In his artistic practice, Harrison is interested in mining available—often commercialized—forms of African culture, looking at these artifacts from the point of view of an urban African American in the twenty-first century.
Colors:
Related works sharing similar palette
© » THEARTNEWSPER
'Collecting art by women is an integral component of my process': Darlene Pérez on why she waited for a Lee Krasner work Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 interview 'Collecting art by women is an integral component of my process': Darlene Pérez on why she waited for a Lee Krasner work One-half of the couple behind the Pérez Art Museum Miami will never tire of Monet's Water Lilies Benjamin Sutton 8 December 2023 Share As well as providing the Pérez Art Museum Miami with $75m and 200 works from their collection, Darlene and Jorge Pérez support many local arts organisations Darlene Pérez, together with her real-estate developer husband Jorge, is a major force in Miami’s cultural scene...
© » ARTS EQUATOR
Weekly Picks: Indonesia (8 - 14 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 8, 2019 Top Picks of Indonesia art events in Yogyakarta, Bali and Jakarta from 8-14 April 2019 This Monday and Tuesday, Teater Gandrik in Yogyakarta presents a satire of what the country might look like in the year 2049 if Indonesia were unsuccessful in eradicating corruption...
© » KADIST
Karla Kaplun
2019Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
© » SOUTH CHINA MORNING POST
Two Chinese artists show contrast in styles in side-by-side solo exhibitions of paintings at Hong Kong’s Blindspot Gallery | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from “Bay of the Deer” (2023) by Zhang Wenzhi, part of the Beijing-based artist’s solo exhibition “Tiger in Mountains, Deer at Ocean” at Blindspot Gallery...
© » HYPERALLERGIC
The Memes That Carried Us Through 2023 Skip to content Us explaining to our moms what a 2023 meme looks like (edit Valentina Di Liscia/Rhea Nayyar/ Hyperallergic ) As we close the books on 2023, with its political absurdities, unfathomable atrocities, and aura of mounting pessimism, now is as good a time as ever to page through the months and remember what brought us together for moments of laughter...
© » KADIST
Titus Kaphar
2016Although the objects depicted in Titus Kaphar’s diptych 2016/1963 might not be immediately recognizable, the work’s title and the inscriptions ‘Alabama 1963’ and ‘North Dakota 2016’ reveal their use as tools of brutal force...
© » ARTS EQUATOR
10 Things You Should Know About: Malay Dance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 7, 2021 10 Things You Should Know is a series of short animated videos on aspects of Malay culture and heritage, made in partnership with Wisma Geylang Serai...
© » KADIST
Judith Barry
The chapter Ayousha , of Judith Barry’s Cairo Stories , is a portrait-like work that consists of one plasma screen and one framed photograph...
© » ARTS EQUATOR
How Dép Tổ Ong Goes From Timeless Family Keepsake to Millennial Icon (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 16, 2018 Back in 2014, amid the weekly cycle of news, a particular image was more striking than most: Doctor and Professor Ngo Bao Chau stood in the middle of a makeshift classroom in a rural village in Thai Nguyen Province while teaching local kids...
© » KADIST
Tania Candiani
2020“There is a tapestry of sounds around us.” – Tania Candiani Tania Candiani has long been interested in Acoustic Ecology: the study of relationships between humans and our environment mediated through sound...
© » KADIST
Douglas Gordon
1996In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...