Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects. He also often works at a very large scale to emphasize a connection to the tradition of history painting. Blockbuster (2011) was, at the time of its creation, the largest watercolor painting he had ever made. This commissioned piece combines his bombastic and playful style with a tribute to San Francisco’s thriving arts and culture scenes. It is a lively depiction of famous landmarks in the city, and a somewhat fanciful and lighthearted recapitulation of how a potential earthquake would shake things up in the ultimate “boy zone.”
Conrad Ruiz makes watercolor paintings of fantastic scenes. Bursts of color and energy sit behind flying figures and animals. Images become painted patterns, as rows of repeated objects and buildings’ striations verge on geometric abstraction. Ruiz’ identifies his work with the “ultimate boy zone”, and the connection is clear. His paintings are populated by explosions, giant sharks, and athletes. Ruiz creates his painting carefully, tracing projected images and carefully following lines. The semi-transparency of his watercolor fills gives his otherwise firm images a shimmering quality, contributing to their overall impression of dreamy unreality.
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In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
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