180 x 180 cm
Bimba y Delfin is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling. Part of a series titled Regards the large format image features faces and busts of two young people in the nude, isolated by a black background. The duo bear the signature traits of an urban millennial aesthetic, indicated by their unconventional hairstyles and eyebrows, tattoos, and piercings. Produced in Gonnord’s studio, the image acts as both documentation of the abstract and generic codes for contemporary beauty canons, while also offering a psychological portrait of the individuals. Gonnord notes that all of his subjects are carefully selected for their look, so that the work maintains a strong relationship with fashion and the world of appearances.
Pierre Gonnord is known for his large scale photographic portraits of people who inhabit the fringes of society. Drawing inspiration from masters of the portrait genre, Gonnord looks to marginalized, ostracized, and subversive communities as his subjects. A key aspect of Gonnord’s practice entails spending long periods of time with the people in such communities, among them coal miners, punks, immigrants, and gypsies, before distilling his experience into a portrait. Gonnord approaches his subject through a deeply compassionate lens, creates reverent images that elicit his sitters’ storied pasts. Similarly, Gonnord’s landscape work represents the desecrated, unearthly environments populated by outsiders, nomads, and those who exist off the grid. Gonnord’s work is a testament to the casualties—human and environmental—left behind by a quickly developing world.
Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities...
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
His series, The Golden State, harkens back to his early career and his photographic training...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...