Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities. Biennials help various localities produce their own art scenes and provide playgrounds for the international art world to expand its activities and influences. This is a highly contradictory process that renders local productions globally visible, but yet risks reducing their complexity, difference, and independence. In a way, these temporary art exhibitions are the perfect example of the negative and positive impact of globalization that affects both social reality and personal destiny. Xu’s Biennials enact and publicize different “possible scenarios” that these contradictory factors might effect on the social imaginary.
Xu Tan began his career as a member of the well-known Guangzhou-based artist collective Big Tail Elephant. His installation and video works explore issues crucial to the post-Cold War, post-colonial, and increasingly globalized world like urbanization, the geopolitical relationships between the developed and developing worlds in terms of political, economic, and cultural production and their impacts on personal lives and their expressions. Xu’s works are often site-specific, dealing intimately with everyday experiences to critically demonstrate the tension between globally circulating images, modes of communication, and the impact they have locally. Powerfully and intelligently, Xu’s work calls for contemporary art to engage with social reality in our time.
Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...
Border Biennial showcases art across the Texas-Mexico border Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news Border Biennial showcases art across the Texas-Mexico border It’s the first physical iteration of the El Paso and Juárez exhibition in five years, after the onset of the Covid-19 pandemic shut down the 2020 edition Carlie Porterfield 15 December 2023 Share Pico del Hierro-Villa's Las Virgencitas Enamoradas (2022) Courtesy of the artist The Border Biennial, which celebrates art and culture across the US-Mexico border, is returning for the first time since the onset of the Covid-19 pandemic and related travel restrictions interrupted the 2020 edition of the event...
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
Rotation presents the image of a crowd, a re-appropriation of 19th or beginning of 20th century photographs published in newspapers and magazines...
Mass inclusion: thoughts on Teo Yeo Yenn’s ‘This is what Inequality looks like’ (via Dumbriyani) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar August 1, 2018 In recent days, I have been absorbed heavily into a book my wife brought home from Kinokuniya...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 Artist letters, clockwise from top left: Letters from Mari Keski Korsu, Marietta Radomska, Lee Weng Choy and Filippa Ramos...
BACC: Whose art centre is it anyway? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Reuters via South China Morning Post October 23, 2019 By Siriwat Pokrajen (1,180 words, 6-minute read) Anyone following the news about the Thai art scene must have already known about all the rough storms the Bangkok Art and Culture Centre (BACC) has been sailing through in the past couple of years...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
La loi sur le mécénat fête ses 20 ans en attendant un enrichissement Offrir Le Monde Article réservé aux abonnés Au colloque organisé lundi 11 décembre, au Musée Guimet, à Paris, pour les 20 ans de la loi sur le mécénat qu’il avait portée, l’ancien ministre de la culture Jean-Jacques Aillagon devait être le roi de la fête, mais le Covid en a décidé autrement...