Biennale, Dog

Back in 2007, Mario Garcia Torres presented “A Solo Exhibition” at Kadist Art Foundation, Paris...

Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...

Cleveland's Front Triennial Folds After Two Editions Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 9:00am Works at the Transformer Station in Cleveland...

The recent booms in cryptocurrency prices have created a new generation of art collectors who are spending their money on NFTs, like Tim Kang....

Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology...

La loi sur le mécénat fête ses 20 ans en attendant un enrichissement Offrir Le Monde Article réservé aux abonnés Au colloque organisé lundi 11 décembre, au Musée Guimet, à Paris, pour les 20 ans de la loi sur le mécénat qu’il avait portée, l’ancien ministre de la culture Jean-Jacques Aillagon devait être le roi de la fête, mais le Covid en a décidé autrement...

'Signs of the Times' Documents Two Decades of Protesting in Dallas - D Magazine Skip to content Menu Search One brand, four magazines...

For more than a decade, Jan Vormann has used LEGOs to craft “dispatchwork” for centuries-old structures, public spaces across the globe, and other eroded areas...

Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle...

Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...

Simon & Gus by Bobo is a binaural and fantastical artwork that tells the story of a sea steading maker-hobbyist as told from the perspective of an arduino board, and a mars dwelling stop motion animator as told from the perspective of a stop motion armature...

Mass inclusion: thoughts on Teo Yeo Yenn’s ‘This is what Inequality looks like’ (via Dumbriyani) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar August 1, 2018 In recent days, I have been absorbed heavily into a book my wife brought home from Kinokuniya...

During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...

Observing the sky after 11 September 2001, Dennis Adams photographed elements which had been lifted by drafts and were floating above the city of New York...

The word Takasago alludes to several things at once...

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...

BACC: Whose art centre is it anyway? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Reuters via South China Morning Post October 23, 2019 By Siriwat Pokrajen (1,180 words, 6-minute read) Anyone following the news about the Thai art scene must have already known about all the rough storms the Bangkok Art and Culture Centre (BACC) has been sailing through in the past couple of years...

Pierre Leguillon features: “Diane Arbus: A Printed Retrospective, 1960-1971” December 6, 2008 – February 7, 2009 This first retrospective of the works of Diane Arbus (1923-1971) ever organized in France, brings together all the images commissioned to the New York photographer by the Anglo-Saxon press in the 1960s...

Camil has made numerous paintings and photographs of halted projects along Mexico’s highways (she calls them “highway follies”), and of abandoned billboards that look like theater curtains dramatizing failed capitalist strategies...