Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect. By virtue of a grid of dots, slightly different in size and placement, a subtle shimmering is created. In readily showing its effect as an image of light, the work exists between abstraction and representation—and perhaps points to the folly of such a distinction—rows and columns of spots become the dawn breaking through thick morning air.
Stephen Beal is a painter and the current president of California College of the Arts. His paintings are all-over patterns, resembling textiles or enlarged reproductions of printing technologies. In this sense, they seem to offer a bridge between Roy Lichtenstein’s hand-painted Ben-Day dots and modernist paintings’ dissolution of the distinction between figure and ground. However, Beal’s handling of paint gives his works a much more painterly quality than the crisp op and pop art his work initially resembles.
Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
SMU Series: More Than Just Managers, Enabling the Arts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo by Ian Schneider on Unsplash October 4, 2018 This article is the third in a series of essays by students from the Singapore Management University Arts and Culture Management programme...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Bernard Gaube — Hunimalité — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Bernard Gaube — Hunimalité — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Bernard Gaube — Hunimalité Exposition Peinture À venir Bernard Gaube, Hunimalité, 2017, 46x37 cm...
Living in the Transition - Photographs by Shunta Kimura | Text by Magali Duzant | LensCulture Award winner Living in the Transition Traveling through Gabura Union in Bangladesh, Shunta Kimura documents impact, adaptation, and resilience in his quiet photographs of everyday life on the frontlines of rapid climate change...
Pain and Cauterisation in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Saloma (Sakinah Dollah) and Vinod (Abdulatiff Abdullah) February 22, 2019 By Casidhe Ng (1, 543 words, eight-minute read) When the play ends (although it never really ends), Saloma sits on stage, alone, even after the house lights have been turned back on, with a look of uncertainty and shock plastered across her face...
Sable Elyse Smith’s Pivot III resembles playground equipment uselessly reconfigured...
Weekly Picks: Malaysia (15–21 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 15, 2018 No Black Tie Ivory Series presents ‘To The Moon’ , at No Black Tie, 15–16 Oct, 8pm Part of No Black Tie’s 20th anniversary celebrations, To The Moon draws inspiration from the likes of Jean-Philippe Rameau, Louis Couperin, Ludwig van Beethoven, Henry Purcell, and Gluck...
Monsters' Ink: A Fiend’s Diary & Heather | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography December 2, 2019 By Nabilah Said (1,500 words, 7-minute read) Spoiler Alert: The following contains major spoilers for the shows A Fiend’s Diary and Heather...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...