Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect. By virtue of a grid of dots, slightly different in size and placement, a subtle shimmering is created. In readily showing its effect as an image of light, the work exists between abstraction and representation—and perhaps points to the folly of such a distinction—rows and columns of spots become the dawn breaking through thick morning air.
Stephen Beal is a painter and the current president of California College of the Arts. His paintings are all-over patterns, resembling textiles or enlarged reproductions of printing technologies. In this sense, they seem to offer a bridge between Roy Lichtenstein’s hand-painted Ben-Day dots and modernist paintings’ dissolution of the distinction between figure and ground. However, Beal’s handling of paint gives his works a much more painterly quality than the crisp op and pop art his work initially resembles.
Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
Art that Moves: Marc Nair | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: National Arts Council June 19, 2018 Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them...
Frequencies of Tradition, Monthly film screenings at The Roxie Dates: Wednesdays, April 20, May 18, June 15, July 13, 2022, 6:45 pm (doors open 6:15 pm*) Location: Little Roxie Theatre, 3117 16th Street, San Francisco, CA 94103 Fiona Tan, Ascent (2016), 80:00 mins Wednesday, April 20, 2022, 6:45 pm (doors open 6:15 pm) Ascent (2016) reflects on Japan’s Mount Fuji and its great significance to the country and its people...
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
Monsters' Ink: A Fiend’s Diary & Heather | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography December 2, 2019 By Nabilah Said (1,500 words, 7-minute read) Spoiler Alert: The following contains major spoilers for the shows A Fiend’s Diary and Heather...
Days of Future Passed - Photographs by Florence Iff | Text by Marigold Warner | LensCulture Feature Days of Future Passed Collecting photos from her daily life, the Internet, newspapers, and free image libraries, Swiss photographer Florence Iff amalgamates vast webs of organisms, structures, and scenes into a portrait of a planet in crisis...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Dislocations — Exposition collective Exhibition Mixed media Upcoming Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective In 4 days: February 16 → June 30, 2024 At a time when international geopolitical developments are a palimpsest of times and spaces in crisis, The “Dislocations” exhibition brings together fifteen artists from different generations and backgrounds (Afghanistan, France, Iraq, Iran, Lebanon, Libya, Myanmar, Palestine, Syria and Ukraine) whose work is marked or informed by the experience of exile, of being torn between here and there, between past and present...
Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Dislocations — Exposition collective Exposition Techniques mixtes À venir Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective Dans 4 jours : 16 février → 30 juin 2024 L’exposition « Dislocations » réunit quinze artistes, de générations et origines différentes (Afghanistan, France, Irak, Iran, Liban, Libye, Myanmar, Palestine, Syrie, Ukraine) dont le travail est marqué ou informé par l’expérience de l’exil, du déchirement entre ici et ailleurs, entre passé et présent...