Pain and Cauterisation in “Off Centre”
about 63 months ago (02/22/2019)
Pain and Cauterisation in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Saloma (Sakinah Dollah) and Vinod (Abdulatiff Abdullah) February 22, 2019 By Casidhe Ng (1, 543 words, eight-minute read) When the play ends (although it never really ends), Saloma sits on stage, alone, even after the house lights have been turned back on, with a look of uncertainty and shock plastered across her face. She feels – no, she is entirely real, and even more so after the aesthetics of play have been stripped away. I notice I am struggling to find words.