Bayramiç Stone Mill

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Restaurant Tramo embraces a responsible future, bite by bite | Wallpaper (Image credit: Photography by Juan Baraja...

Latiff Mohidin’s “Langkawi”: The Within and Beyond | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: Chan + Hori Gallery July 10, 2018 By Gerald Sim (1,500 words, eight minute read) As with any thought-provoking installation, Latiff Mohidin’s “Langkawi” series, on show at Chan+Hori Contemporary , evokes a large range of perceptions from its audience...

Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Boy Falls From Tree » (2010), de Jeff Wall...

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

Future Tense (2017), a 16-page diary, is a project in the form of a newspaper that brings together 50 oracles by people from various political opinions and ethnicities who consulted sand, lead, tarot cards, coffee grounds, blank sheets of A4 paper, dreams, water, clairvoyance, astrology, pendulums and horoscopes in order to reveal the point that Turkey has reached in news casting...

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor...

Rotation presents the image of a crowd, a re-appropriation of 19th or beginning of 20th century photographs published in newspapers and magazines...

How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance? Can planting seeds constitute a political act? These questions mark the starting point of Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu (Istanbul, 1982)’s first solo exhibition in France which stems from her residency at KADIST in the beginning of 2020...

Fink, who died in November, moved easily between society galas and Pennsylvania farms—and his work was always full of the push and pull of life....

http://inflatocookbook.kadist.org/ The INFLATOCOOKBOOK was first published in January 1971 by Ant Farm...

The series of works gathered under the title Heure de Paris combines footage of Turkey from Turkish and French media reportage from the 1980s...