3 canvas; 47H x 35W inches each
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior. Rasgado wanders through the urban landscape in Mexico City and other major cities, looking for moments of intrigue in the dirt and debris. He captures these details by extracting materials from the sites and deploying them in the gallery. Raw materials thus become abstract paintings, which are both actively engaged with the site of their origin and politically and socially charged. Avenida Corona del Rosal (2011) is a section of wall extracted from the Mexico City street named in the title. It has been “painted” with an accumulation of byproducts of automobiles—diesel soot, dirt, tire and brake particles—to create an ironically poetic and beautiful portrait of the pollution that ravishes the city.
Pablo Rasgado reconfigures everyday life into new abstractions. Often thinking through architecture, public space, and the sculptural relationship to the human body, his work often carries political or social commentary.
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...