Austintipede
2019 - Painting (Painting)
144.78 x 144.78 cm
Sahana Ramakrishnan
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives. Narrative journeys are central to myth, and Ramakrishnan’s own journey through culture, mythology and sexuality is echoed in the physical matter she uses to create her work. The artist embarks on Odyssean quests for her materials. These range from broken glass, to coffee shop burlap sacks, traditional gold leaf, grungy mop strings, and even her own blood, drawn by a doctor-turned-Uber driver that Ramakrishnan befriended during an everyday commute. Austintipede is exemplary of this collected accumulative technique, composed of Ferric chloride, acrylic, sumi ink, asphaltum, rope, rhinestones, glass beads, gold leaf, and color pencil on paper. At the heart of her practice are social relationships like this that the artist develops with both people and objects. Even the very basic, physical substances of her paintings and sculptures hold secret narratives within them. This makes her work intensely personal; yet her use of myth provides a visual backbone for viewers to enter into the work and allows for a momentary transcendence over the intensely textured, material paintings into a realm of signification and narrative play.
Sahana Ramakrishnan creates images that are complicated, dissonant, and abject in ways that open the heart and mind. She addresses issues related to the violent and shifting processes by which we form our cultural, gender, sexual, and human identities, taking inspiration from myths that prioritize spiritual and emotional experience over historical fact or rational thought. Her work is a web of cultural interfacing. Mixtures of Hindu, Buddhist, and Greek visual mythologies weave together into a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives. Real and imaginary, traditional and ground breaking, Sahana Ramakrishnan’s work maintains a multilayered complexity in both subject and material. Most importantly, her work provides viewers the opportunity to reimagine familiar symbols and narratives drawn from typically masculine mythology and culture from the metamorphic perspective of a woman.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Weekly Picks: Singapore (18 - 24 June 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore June 18, 2018 Suzhou Symphony Orchestra 2018 Asia Tour – Singapore by Suzhou Symphony Orchestra 18 June 2018 Maestro Chen Xieyang, along with the Suzhou Symphony Orchestra will present to you its programme featuring Profokiev’s epic tale of love and the powerful realism of Zhu Jian Er’s sonic world for the start for their Asian Tour 2018...
© » ARTS EQUATOR
"Pratthana: A Portrait of Possession": Of Politics and Desire Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tananop Kanjanawutisit August 30, 2018 By Amitha Amranand (1225 words, six-minute read) Everyone is always watching and being watched in Pratthana: A Portrait of Possession , the latest play by Japanese director Toshiki Okada...
© » KADIST
Hama Goro
Hama Goro works with a traditional method called the Bogolan technique, which is inspired by a method used in Mali to color clothes...
© » ARTS EQUATOR
The Seen and Unseen: A Search For Self | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Claudia Dian February 25, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it...
© » ARTS EQUATOR
Interview with Wang Chong for "Made In China 2.0" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Pritchard March 23, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (1,000 words, 6-minute read) Experimental Chinese theatremaker Wang Chong presented a work-in-progress showing of his newest work, Made in China 2.0 , at Asia TOPA in February...
© » ARTS EQUATOR
Podcast 54: "FOUR FOUR EIGHT" by Emergency Stairs | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan March 27, 2019 Duration: 41 min As part of ArtsEquator’s Critics Reading Group programme, we got together three arts writers – Corrie Tan, Jocelyn Chng and Loo Zihan – to discuss FOUR FOUR EIGHT by Emergency Stairs ...
© » KADIST
Frequencies of Tradition , curated by Hyunjin Kim With Chung Seoyoung, Yoeri Guépin, Ho Tzu Nyen, Chia-Wei Hsu, siren eun young jung, Tomoko Kikuchi, Seulgi Lee, Young Min Moon, Hwayeon Nam, Gala Porras-Kim, Lieko Shiga, Ming Wong And a screening program featuring Fiona Tan, Jane Jin Kaisen, Wang Tuo, siren eun young jung, and Ko Sakai & Ryusuke Hamaguchi Frequencies of Tradition centers on tradition as a space of contestation...
© » KADIST
Sancintya Mohini Simpson
2021Dhuwã (term used by indentured people of Natal for ‘smoke’), is a single-channel film by Sancintya Mohini Simpson that traces back to the lived experiences of indentured labourers taken from India to Natal (now KwaZulu-Natal, South Africa) to work on sugar plantations during the late 1800s and early 1900s...
© » KADIST
Mohamed Bourouissa
2009The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
© » SLASH PARIS
Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Échantillons de soi Exposition Techniques mixtes Échantillons de soi Encore environ un mois : 29 novembre 2023 → 13 janvier 2024 L’échantillon donne l’idée d’un tout et, quand il y en a plusieurs, ils permettent de prendre des décisions...
© » SLASH PARIS
Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris Login Newsletter Twitter Facebook Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Échantillons de soi Exhibition Mixed media Échantillons de soi Ends in about 1 month: November 29, 2023 → January 13, 2024 L’échantillon donne l’idée d’un tout et, quand il y en a plusieurs, ils permettent de prendre des décisions...
© » MODERN MET PHOTOGRAPHY
Timelapse Captures How the Sun Looks During Solar Storms Home / Photography / Astrophotography Breathtaking Timelapse Captures How the Sun Looks During Intense Solar Storms By Regina Sienra on December 3, 2023 Ver esta publicación en Instagram Una publicación compartida por Miguel Claro Astrophotography (@miguel_claro) Solar storms are one of the most fascinating astronomical events...
© » ARTEFUSE
The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...
