158 x 104 cm
The figure in Armless tapers away. Muscular legs turned upright spin down into a disintegrating torso. Lines, that in another drawing would sketch out contours and volume, here seem to be strands of flesh. They hang down from full feet and flutter into nothingness as the form becomes less and less present. The armlessness is named but the lack of a head, which one can possibly make out becoming strewn lines, suggests a top-to-bottom dissolution.
Chloe Piene’s work often depicts the body and its skeleton. Her drawings spindle extremities into thin loops of line and her sculptures stack skulls on slabs of clay. The fragile twisting of the body is executed in luxuriously rich materials, which underscore the virtuosity of Piene’s hand and vision. Skeletons on vellum make physical mortality transcendently transparent, and beautiful charcoal lines mark out the uncanny grins of skull-faces.
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Gabriel Orozco often documents found situations in the natural or urban landscape...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...