Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The two characters in Argument interact in an ambiguous gesture of conflict or embrace as the world around them pulsates in agitated waves. In each of the portraits, Lai explores how individuals adapt to their environments and the ways in which bodies communicate emotions for which there are no adequate words.
Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways. She paints by immersing herself in the state of mind and situation of each character. Her work was exhibited at the New Museums 2015 Triennial and the Shanghai Biennale (2014).
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...
It may take a minute to recognize the background of New Fall Lineup – the colors are tweaked into a world of cartoon and candy, and it is covered by leaping energetic figures and flying squirrels...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...