Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The two characters in Argument interact in an ambiguous gesture of conflict or embrace as the world around them pulsates in agitated waves. In each of the portraits, Lai explores how individuals adapt to their environments and the ways in which bodies communicate emotions for which there are no adequate words.
Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways. She paints by immersing herself in the state of mind and situation of each character. Her work was exhibited at the New Museums 2015 Triennial and the Shanghai Biennale (2014).
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...
It may take a minute to recognize the background of New Fall Lineup – the colors are tweaked into a world of cartoon and candy, and it is covered by leaping energetic figures and flying squirrels...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
Catherine Pégard quitte la présidence du Château de Versailles, Christophe Leribault la remplace Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Christophe Leribault, au Musée du Louvre Abu Dhabi, dans l’émirat du Golfe, le 11 octobre 2022...
Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 27, 2018 An EDM (electronic dance music) festival scheduled to take place just outside Hanoi from November 23 to 25 was asked to cancel only hours before its opening, despite sold tickets and foreign and local artists and volunteers already heading to the venue...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
A Portrait Revisited: 1986, 2006 - Video interview with Roderick McNicol | LensCulture Video interview A Portrait Revisited: 1986, 2006 These diptych portraits of the same person, same pose, 20 years apart, evoke the magic that is at the heart of photography and portraiture—and a short, insightful video interview with the photographer reveals more about the process behind this powerful series...