16H x 13.5W inches
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color. This imagined landscape fuses abstract painting and graffiti art. Despite the roar of colors, the scene is peaceful—a vision of urbanity and nature coexisting in harmony.
Federico Herrero makes colorful paintings, often on walls and as murals. Whether depicting recognizable objects or more generally abstract, his paintings have a consistent quality of rounded shapes, wobbling fields of color, and all-over markings. Herrero’s works are full of energy and life, hovering somewhere between painted-over graffiti and painterly abstraction. Additionally, bright and varied colors combine with shapes resembling eyes to give some of his pieces a more cartoon-like sensibility.
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...
Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...