In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet. In order to form a database of the portraits, he saved the files under the original names retrieved from the Internet. CHEN used digital facial recognition technology to build a lexicon of the criminals’ facial characteristics in order to analyze them. The artist then implemented the technology to identify whether the images of the real criminals bear any resemblance to characters in Asian crime films. In Any Resemblance is Coincidental the faces of the criminals are presented on screen and categorized by either red or green squares that isolate their facial features to identify them. The red square indicates that the system believes the image to be of a real criminal, while the green square means that it doesn’t match. Any Resemblance is Coincidental demonstrates the historical and cultural links between facial recognition technology, the Internet and criminology. With this work, CHEN problematizes the virtual nature of movies and the Internet.
CHEN Zhexiang is a digital media artist and director of animation. Merging his individual imagination with a singular digital aesthetic and technological awareness, the artist’s practice generates an archaeology of media and cybernetics that exposes the imperceivable moments conjured by digital content. CHEN’s work often interrogates and reflects upon the impacts of new technology on daily life within the context of the individual’s relationship to and with society.
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Bill Viola | Royal Albert Memorial Museum & Art Gallery Discover the work of internationally renowned video artist Bill Viola at Exeter’s Royal Albert Memorial Museum & Art Gallery (RAMM) ARTIST ROOMS Bill Viola presents three works from the ‘Passions’, a series of video works created between 2000 and 2002 that explore human emotions...
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room...
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The top ArtsEquator articles of 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles NEON December 31, 2020 Below is a list of the top 10 ArtsEquator articles in 2020, in random order: An Elder Millennial’s Guide to Classic Singapore TV & Movies by Joel Tan Published on: 20 Aug 2020 “Purists are undecided on when exactly Singapore TV died, but I think 2007, when Phua Chu Kang wrapped, and 2015, when Tanglin started, might be a good gauge...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
Caroline Monnet, Mobilize A screening program followed by the artist in with conversation with Adam Piron, Assistant Curator for Film at LACMA Montreal-based artist Caroline Monnet explores Indigenous identity, bicultural living, and complex cultural histories through photography, sculpture, film, video, and installation...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...