In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet. In order to form a database of the portraits, he saved the files under the original names retrieved from the Internet. CHEN used digital facial recognition technology to build a lexicon of the criminals’ facial characteristics in order to analyze them. The artist then implemented the technology to identify whether the images of the real criminals bear any resemblance to characters in Asian crime films. In Any Resemblance is Coincidental the faces of the criminals are presented on screen and categorized by either red or green squares that isolate their facial features to identify them. The red square indicates that the system believes the image to be of a real criminal, while the green square means that it doesn’t match. Any Resemblance is Coincidental demonstrates the historical and cultural links between facial recognition technology, the Internet and criminology. With this work, CHEN problematizes the virtual nature of movies and the Internet.
CHEN Zhexiang is a digital media artist and director of animation. Merging his individual imagination with a singular digital aesthetic and technological awareness, the artist’s practice generates an archaeology of media and cybernetics that exposes the imperceivable moments conjured by digital content. CHEN’s work often interrogates and reflects upon the impacts of new technology on daily life within the context of the individual’s relationship to and with society.
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
Weekly Southeast Asia Radar: Burmese hip hop, and queer Vietnamese singer Tuimi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Via Myanmar Times August 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
The top ArtsEquator articles of 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles NEON December 31, 2020 Below is a list of the top 10 ArtsEquator articles in 2020, in random order: An Elder Millennial’s Guide to Classic Singapore TV & Movies by Joel Tan Published on: 20 Aug 2020 “Purists are undecided on when exactly Singapore TV died, but I think 2007, when Phua Chu Kang wrapped, and 2015, when Tanglin started, might be a good gauge...
Marco Almaviva's Explorations Beyond the Canvas | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Truth or Dare with “Lear is Dead” by Nine Years Theatre Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Teo Xiao Ting (1,069 words, six-minute read) After a gleaming heap of corpses dissipates into the afterlife and comes back for a closing bow, Lear is Dead ends with the quiver of revelation...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
How to use the new Dazed Club app | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Life & Culture Guide Here’s how to get the most out of our new creative networking platform, the Dazed Club app 9 February 2024 Text Dazed Digital Since Dazed Club launched in 2022, it’s helped members make meaningful connections in the creative industries, access exclusive events, and showcase their work to a wider audience, as well as opening up the doors to the magazine’s vast archive...