Angela (crotch grab)

1992 - Photography (Photography)

Catherine Opie

location: Los Angeles, California
year born: 1961
gender: female
nationality: American
home town: Sandusky, Ohio

Since the 1990s, Catherine Opie has been recognized for her use of documentary photography to address issues of community and queerness, and the ways in which identity is shaped by architecture. Particularly resonant during the Culture Wars of the 1980s and early 1990s—a time in which the religious right tried to impose itself as a political force and cultural censor—Opie’s photographs privilege the representation of specific communities, whether the LGBT, teenagers, surfers, football players, or her group of friends who engage in sexual role playing, tattooing, and piercing.


Colors:



Related works featuring themes of: » Photo-Conceptualism, » Isolation, » Cultural Commentary, » Sexual Identity, » Documentary Photography, » Gender, » Feminism, » Bright/Vivid, » Color Photography, » American

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Herculine's Profecy
© » KADIST

Juliana Huxtable

2017

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Visalia Livestock Market, Visalia, California
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Sharon Lockhart

2011

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Study for my Heroes in the Street (Stan)
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Ian Wallace

1986

Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...

The Tower of Babel: Destruction
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Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

The Tower of Babel: Independence of the country
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

Untitled (City Limits)
© » KADIST

Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

603 Football Field
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Qing Zhang

2006

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Stowe
© » KADIST

James Welling

2006

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

VertiGhost
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Lynn Hershman Leeson

2017

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

Higher Horse
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Kate Gilmore

2008

In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
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Walead Beshty

2010

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...

Untitled #1 #2 #3
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Piero Golia

2007

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

The Last Post
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Shahzia Sikander

2010

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...

Untitled (Sten-Frenke House #04)
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Luisa Lambri

2007

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Bunny’s Sofa
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Gimhongsok

2007

To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...

Iris Tingitana Oxalis
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Yto Barrada

2007

This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...

Frontier-Linear
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Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...