Angela (crotch grab)

1992 - Photography (Photography)

Catherine Opie

location: Los Angeles, California
year born: 1961
gender: female
nationality: American
home town: Sandusky, Ohio

Since the 1990s, Catherine Opie has been recognized for her use of documentary photography to address issues of community and queerness, and the ways in which identity is shaped by architecture. Particularly resonant during the Culture Wars of the 1980s and early 1990s—a time in which the religious right tried to impose itself as a political force and cultural censor—Opie’s photographs privilege the representation of specific communities, whether the LGBT, teenagers, surfers, football players, or her group of friends who engage in sexual role playing, tattooing, and piercing.


Colors:



Monteverdi Ici – Deeply, Feeling Filling the World
© » KADIST

Laure Prouvost

2018

Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...

Mom
© » KADIST

Sadie Benning

2017

In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...

The End One
© » KADIST

Raymond Pettibon

2005

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

Pasajes I
© » KADIST

Sebastián Díaz Morales

2012

Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...

Campaign for Braddock Hospital
© » KADIST

LaToya Ruby Frazier

2011

LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

2005

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...

“Brave Beauties” series - Eva Mofokeng I, Parktown, Johannesburg
© » KADIST

Zanele Muholi

2014

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...

Serious Games 3, Immersion
© » KADIST

Harun Farocki

2009

For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

Suspension
© » KADIST

Sebastián Díaz Morales

2014

In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...

Meeting #100
© » KADIST

Jonathan Monk

Meeting #100 is one in a series of text works by Jonathan Monk...

Lesbian Beds
© » KADIST

Tammy Rae Carland

2002

Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...