Mary Koszmary (2007), one channel super 16 mm film transferred to video, color, sound, 10 min., 50 sec.; Mur I Wieza (2009), one channel RED transferred to Blue Ray DVD, color, sound, 15 min.; and Zamach (2011), one channel video and sound installation, RED transferred to HD, color, sound, 35 min.
Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011). The series, which includes the films Mary Koszmary (Nightmare) (2007) , Mur i wieza (Wall and Tower) (2009), and Zamach (Assassination) (2011), centers on a young Polish politician’s call for the return of 3.3 million Jewish people who emigrated to Palestine. The films employ the same techniques of Leni Riefenstahl’s Nazi propaganda films, combining fact and fiction with the past and the present. Opening film Mary Koszmary (Nightmares) is set in the ruins of Warsaw’s Stadion Dziesieciolecia (Decennial Stadium) where the politician Slawomir Sierakowski is identified and summons the return of the Jewish people from today’s Israel. The second film Mur I Wieza (Wall and Tower) we see the establishment of loyal and idealistic followers of Sierakowski and the Jewish Renaissance Movement. They build a barbed wire wrapped tower-and-stockade-style kibbutz that was a settlement method established and developed by Zionists in Palestine from 1936–39. The final film Zamach (Assassination) sees the assassination of Sierakowski by an unknown assailant, which solidifies the Jewish Renaissance Movement. The three films bring together images of past and present Israeli and Polish identities and imagines a dangerous future.
The work of Yael Bartana investigates the imagination and imagery of identity and the politics of national memory and identity. Her interest in understanding and examining national statehood stems from being born in Israel, and being surrounded by the perpetual production of collective national identity. After completing her studies, Bartana undertook what she called ‘amateur anthropological’ research into ritual and myth making to take a critical perspective towards her own history and nationality. As a result of her politically charged practice that often deals with Jewish identity in Israel and abroad, she has garnered significant criticism, notably being labeled as anti-Zionist and a self-hating Jew. Despite this criticism, Bartana believes that, through her work as an artist, exploring both political statehood and religious and political diaspora, she is responsible for addressing these issues. Bartana believes that growing up in such a politically charged state requires artists to become either political artists, or escapists.
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoine Grumbach — Les Yeux du Ciel Exhibition Architecture, urban art, drawing, installation.....
Stretching between San Pedro and the beach in Altata, Sinaloa, there is a 40 km road where there are three invisible borders controlled by rivalling armed groups...
Floral art by Andy Warhol, Pablo Picasso, Claude Monet and other artists on display at private Deji Art Museum in Nanjing, China | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The exhibition ‘Nothing Still About Still Lifes: Three Centuries of Floral Compositions’ at Nanjing;s Deji Art Museum features more than 100 modern and contemporary artworks, including (above) “Les Amoureux au Bouquet de Fleurs” (1935-1937), by Marc Chagall...
With Martha Araújo, Milena Bonilla, Angelica Mesiti, Shitamichi Motoyuki and Emilija Škarnulyte Curated by Marie Martraire, director of KADIST, San Francisco Reflecting on the relationship between History and memory, the group exhibition Moving Stones focuses on the body as a site of engagement to address our collective past embodied in public monuments...
Life and Death Explored At Art Stage Singapore – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Life and Death Explored At Art Stage Singapore by Christina Lee Jan 25, 2016 in NEWS 0 Portrait, Nunzio Paci...
Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia...
Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia...
In conversation with Nataša Petrešin-Bachelez Together they will talk about Marwa Arsanios’ last video “ Falling is not collapsing, falling is extending “, 2016, presented recently at the Hammer Museum (Los Angeles), that looks into the garbage crisis in Beirut and the city’s recent real estate boom...
Weekly Picks: Singapore (25 June - 1 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore June 25, 2018 Chinatown Crossings by Drama Box 22 June – 18 August 2018 Experience Chinatown through an Indian man named Kumalan who grew up in Chinatown’s shophouse during the 1960s and 1970s...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoine Grumbach — Les Yeux du Ciel Exposition Architecture, art urbain, dessin, installations.....
Recovered Van Gogh Masterpiece Takes the Spotlight Again - Artcentron Home » Recovered Van Gogh Masterpiece Takes the Spotlight Again ART Feb 10, 2024 Ξ Leave a comment Recovered Van Gogh Masterpiece Takes the Spotlight Again posted by ARTCENTRON Vincent van Gogh, The Parsonage Garden at Nuenen in Spring (1884)...