American Flag (Scratch)
1999 - Photography (Photography)
Collier Schorr
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject. American Flag (Scratch) (1999), for example, depicts an unidentified male subject clad in an American flag-print singlet. With his head and extremities out of frame, the camera focuses on his flush-red torso, his left nipple protruding from the singlet’s strap. A horizontal scratch cuts across his right pectoral muscle, bleeding at its end and nearly dripping on the uppermost stripe of the flag print fabric. The scene’s context is ambiguous, and it is never clear if Schorr’s subject is entering a match or leaving it. By stripping the image of those anterior narratives, Schorr allows the viewer to fully revel in the image’s strange juxtapositions – of bloody injuries and healthy bodies, of patriotic symbols and exposed nipples – without resorting to narrative explication or symbolic interpretation.
Collier Schorr photographs communities of people, from high school wresters in her native New York to teenagers in the German countryside clad in American military uniforms. Her work displays an almost anthropological curiosity, and in documenting her subjects, she tries to find the idiosyncratic details through which people organize into “tribal” relationships with one another. Her images, by extension, blend photographic realism with elements of fiction and fantasy as a means of representing the various ways these tribes identify themselves. Schoor’s work also investigates gender and the ways in which subjects use visual cues and embodied signs to both inhabit and subvert assumed gender expectations.
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Jason Meadows
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Kristen Morgin
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Jason Meadows
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William E. Jones
2011In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
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Collier Schorr
2013In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
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Jason Meadows
2009The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
© » KADIST
Kristen Morgin
2008Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
© » KADIST
William E. Jones
2000His series, The Golden State, harkens back to his early career and his photographic training...
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New Mochi Pizza Restaurant Is Offering Free Slices in Palo Alto | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Food Free Mochi Pizza For National Pizza Day? Yes, Please Alan Chazaro Feb 6 Save Article Save Article Failed to save article Please try again Email A new Peninsula pizzeria believes mochi and pizza are the perfect combination...
Other works by: » Collier Schorr
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Collier Schorr
2013In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
Related artist(s) to: Collier Schorr » Catherine Opie, » Jens Hoffmann, » Larry Clark, » Glenn Ligon, » Hank Willis Thomas, » Hiroshi Sugimoto, » Walead Beshty, » Abraham Cruzvillegas, » Adriana Varejão, » Adriano Pedrosa
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Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
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Hank Willis Thomas
2014South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
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Alexandre da Cunha
2010In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...
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Kwan Sheung Chi
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Sliman Mansour Preserves Palestinian History Through Art Skip to content Sliman Mansour, “Rituals Under Occupation” (1989), oil on canvas, 47 1/2 x 40 inches (all images courtesy Zawyeh Gallery and the artist) Nearly every day, Sliman Mansour makes the hours-long journey between his home in Jerusalem and his studio in Ramallah...
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Elsa Werth
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