Alistair Fate

1994 - Photography (Photography)

Catherine Opie

location: Los Angeles, California
year born: 1961
gender: female
nationality: American
home town: Sandusky, Ohio

Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.


Since the 1990s, Catherine Opie has been recognized for her use of documentary photography to address issues of community and queerness, and the ways in which identity is shaped by architecture. Particularly resonant during the Culture Wars of the 1980s and early 1990s—a time in which the religious right tried to impose itself as a political force and cultural censor—Opie’s photographs privilege the representation of specific communities, whether the LGBT, teenagers, surfers, football players, or her group of friends who engage in sexual role playing, tattooing, and piercing.


Colors:



An-My Lê on Vietnam, the Chaos of War, and the Tangibility of Memory
© » APERTURE

An-My LE

For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....

Monteverdi Ici – Deeply, Feeling Filling the World
© » KADIST

Laure Prouvost

2018

Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...

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Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Herculine's Profecy
© » KADIST

Juliana Huxtable

2017

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

#17 Pink
© » KADIST

James Welling

2005

#17 Pink is a photogram, a photographic image produced without the use of a camera...

Untitled #1 #2 #3
© » KADIST

Piero Golia

2007

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

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Video: Catherine Opie on photographing leading British artists
© » ROYAL ACADEMY

Catherine Opie

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Herculine's Profecy
© » KADIST

Juliana Huxtable

2017

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

2007

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...

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Art That Moves: Marc Nair
© » ARTS EQUATOR

Art that Moves: Marc Nair | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: National Arts Council June 19, 2018 Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them...

Brian Eno, musician and producer, on AI-driven documentary Eno and why he doesn’t trust Elon Musk and Mark Zuckerberg with the technology
© » SOUTH CHINA MORNING POST

Brian Eno, musician and producer, on AI-driven documentary Eno and why he doesn’t trust Elon Musk and Mark Zuckerberg with the technology | South China Morning Post Advertisement Advertisement Sundance Film Festival + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Brian Eno, influential musician and producer who worked with Roxy Music, David Bowie, Talking Heads, Devo and U2, in a still from the documentary “Eno” about his life and career...

Nicolas Daubanes — Du béton, de l’acier et de la viande
© » SLASH PARIS

Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nicolas Daubanes — Du béton, de l’acier et de la viande Exhibition Architecture, installation Closing Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Ends in 6 days: September 22 → December 17, 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...

Beau Soleil #7
© » KADIST

Stephen Beal

2010

Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect...

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One Must
© » KADIST

John Baldessari

1997

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Untitled Inkblot Drawing (CT-1491)
© » KADIST

Bruce Conner

1995

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...

Towhead n’Ganga enclosed in darkness, lorded over by the sexualized folded high priestless form
© » KADIST

Mike Kelley

1996

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Other works by: » Catherine Opie  
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Video: Catherine Opie on photographing leading British artists
© » ROYAL ACADEMY

Catherine Opie

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Freeway Series
© » KADIST

Catherine Opie

1994

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Cathy (bed self-portrait)
© » KADIST

Catherine Opie

1987

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

This Exhibition
© » KADIST

Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Wright Imperial Hotel
© » KADIST

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2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

In the Collage II (Marie)
© » KADIST

Collier Schorr

2013

In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...

American Flag (Scratch)
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1999

Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...

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Collector Bernard Lumpkin on How to Buy Black Contemporary Art Ethically - via artnet news
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Yoke
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Diane Simpson

2012

Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...

Ouguede
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In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...