Action 3:02
2005 - Film & Video (Film & Video)
Leonardogillesfleur
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am. The photographic moment of a photo album which could have been taken by anybody in any familiar situation with the intention to immortalize that moment.”
The artistic entity “leonardogillesfleur” is the alliance between two artists, Leonardo Giacomuzzo (b. Argentina) and Gilles-fleur Boutry (b. France). Favoring the collective whole over individual identities, the work of leonardogillesfleur explores ideas of collaborative artistic production through performance, video, and sculpture. Not only do they refer to their practice in the singular, leonardogillesfleur—which was born in San Francisco and lives and works in New York—was awarded a single MFA by the San Francisco Art Institute in 2004.
Colors:
Related works sharing similar palette
© » PRISHTINA INSIGHT
Former Allies Argue Over Prishtina Coalition Crisis - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Municipality of Prishtina; Photo/Atdhe Mulla Former Allies Argue Over Prishtina Coalition Crisis Days after the municipal coalition in Prishtina collapsed, former coalition partners, LDK and PDK blame each other for the early termination of their cooperation...
© » KADIST
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
© » LE MONDE
Le président de la Société des amis du Louvre sur la sellette Offrir Le Monde Article réservé aux abonnés A 78 ans, Louis-Antoine Prat a toujours l’œil et la moustache qui frisent à l’évocation de ses coups d’éclat, qu’il s’agisse des trophées qu’il fait entrer dans les collections du Louvre, de la Société des amis duquel il est le président depuis 2016, ou dans sa propre collection privée, l’une des plus belles en France, exposée actuellement au Musée des beaux-arts d’Orléans...
© » ROYAL ACADEMY
Video: introducing 'Entangled Pasts, 1768–now: Art, Colonialism and Change' | Blog | Royal Academy of Arts Lubaina Himid RA in her studio Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Read more Become a Friend Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Published 2 November 2023 Artist Lubaina Himid RA talks to us about our next exhibition in the Main Galleries...
© » KADIST
Nagendra Gurung
2005Chalis Katesi Ramaula is a series of 240 prints capturing Nagendra Gurung’s life, work, and colleagues from the construction sites where he has worked in Dubai and Saudi Arabia...
© » ART AND CAKE
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » THEARTNEWSPER
Five curators join Whitney Biennial team for the 2024 edition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Appointments & departures news Five curators join Whitney Biennial team for the 2024 edition The additional staff will programme sound art, film and performance events Theo Belci 9 December 2023 Share The Whitney Museum of American Art Photo: Ajay Suresh (CC BY 2.0) New York’s Whitney Museum of American Art has announced the expansion of its biennial in 2024, including five additional curators in sound art, film and performance...
© » KADIST
Fernanda Laguna
2018¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years...
© » KADIST
Collier Schorr
2013In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
