45 x 33 inches
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting. The composition features three unfinished figures, all of whom appear to be observing something unrendered or external to the picture plane. Around the group of figures roughly framed by the outline of a triangle, is a frenzy of loose marks and smudged lines that juxtapose the delicate features of the figures’ faces. Though aesthetically grounded in the iconography of the androgynous male dandy, the young protagonists of Bas’s oneiric visions are usually portrayed alone or in small groups, in attitudes of pure flânerie. Appearing as if suspended between adolescence and adulthood, Bas’s figures embody a fragile in-between state that the artist refers to as “fag limbo”. A Splinter portrays a fragment of this temporal space described by Bas, which acts as a psychic purgatory of sorts for young queer men.
Hernan Bas creates expressionistic, yet highly detailed figurative paintings of young men. Though aesthetically grounded in the iconography of the androgynous male dandy, the young protagonists of Bas’s oneiric visions are usually portrayed alone or in small groups, in attitudes of pure flânerie. Whether confined to the intimacy of a genre scene or lost in the vertigo of a lush romantic landscape, his figures inhabit a fantasized world of implicit eroticism and ambiguous sensuality. Largely inspired by nineteenth-century decadent art and literature, Bas’s work also references the concurrent symbolist and decorative style of the French group Les Nabis. With a flamboyant palette and a refined touch, Bas revisits and reinterprets the various categories of classical painting from a homoerotic perspective that is seemingly melancholic, yet often humorous and witty.
Exhibition walk-through of Here We Live with Pheng Cheah, leading theorist of cosmopolitanism, Jerome Reyes, artist, and Marie Martraire, director, KADIST San Francisco Presenting videos and installations, alongside archival materials, the exhibition Here We Live , reveals strategies through which communities cope with the cultural tensions linked to the transformations of the places they live...
Latiff Mohidin’s “Langkawi”: The Within and Beyond | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: Chan + Hori Gallery July 10, 2018 By Gerald Sim (1,500 words, eight minute read) As with any thought-provoking installation, Latiff Mohidin’s “Langkawi” series, on show at Chan+Hori Contemporary , evokes a large range of perceptions from its audience...
Turner Prize winner Jesse Darling makes a Miami Beach cameo Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Turner Prize winner Jesse Darling makes a Miami Beach cameo A self-portrait by Jesse Darling, who won the prestigious British award this week, is on sale at Chapter NY gallery Gareth Harris 9 December 2023 Share Jesse Darling, O Cowardly Word , 2022 Courtesy of the artist and Chapter NY, New York A self-portrait by the Turner prize winner Jesse Darling is available with Chapter NY gallery at Art Basel in Miami Beach...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...
Mandy El Sayegh grew up in a medicalized environment, surrounded by anatomy, biology and psychology publications; these books inspire the figures that appear throughout her work...
End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Podcast 60: The Media Landscape in the Philippines | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Asian Arts Media Roundtable July 4, 2019 Duration: 19 min In our latest podcast, art critic Pristine de Leon gives a comprehensive overview of the media landscape in the Philippines, discussing challenges to the practice and the new platforms that are paving the way for creative, incisive and timely forms of arts criticism...
Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line...
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Boy Falls From Tree » (2010), de Jeff Wall...