45 x 33 inches
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting. The composition features three unfinished figures, all of whom appear to be observing something unrendered or external to the picture plane. Around the group of figures roughly framed by the outline of a triangle, is a frenzy of loose marks and smudged lines that juxtapose the delicate features of the figures’ faces. Though aesthetically grounded in the iconography of the androgynous male dandy, the young protagonists of Bas’s oneiric visions are usually portrayed alone or in small groups, in attitudes of pure flânerie. Appearing as if suspended between adolescence and adulthood, Bas’s figures embody a fragile in-between state that the artist refers to as “fag limbo”. A Splinter portrays a fragment of this temporal space described by Bas, which acts as a psychic purgatory of sorts for young queer men.
Hernan Bas creates expressionistic, yet highly detailed figurative paintings of young men. Though aesthetically grounded in the iconography of the androgynous male dandy, the young protagonists of Bas’s oneiric visions are usually portrayed alone or in small groups, in attitudes of pure flânerie. Whether confined to the intimacy of a genre scene or lost in the vertigo of a lush romantic landscape, his figures inhabit a fantasized world of implicit eroticism and ambiguous sensuality. Largely inspired by nineteenth-century decadent art and literature, Bas’s work also references the concurrent symbolist and decorative style of the French group Les Nabis. With a flamboyant palette and a refined touch, Bas revisits and reinterprets the various categories of classical painting from a homoerotic perspective that is seemingly melancholic, yet often humorous and witty.
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect...
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Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Hernan Bas’s recent works, particularly his series “The Conceptualists,” showcase his continued exploration into the realms of queerness, desire, the occult, and the absurd...
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
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Hernan Bas’s recent works, particularly his series “The Conceptualists,” showcase his continued exploration into the realms of queerness, desire, the occult, and the absurd...
In Escaped Lunatic , a steady stream of figures run across the screen, sprinting, jumping, and rolling through the streets of Houston...
The depiction of the female figure in the sculptures remains an economic, canny composition of geometric abstractions in a Modernist spirit...
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...