The six grandfathers, Paha Sapa, in the year 502 002

2002 - Installation (Installation)

black & white photograph C-print:152 x 110,7 cm

Matthew Buckingham

location: Nevada, United States
year born: 1963
gender: male
nationality: American

Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*. He elaborates a historiographic narrative of this place and switches it into the domain of science fiction by proposing a photograph of the Memorial as it should appear in 500 000 years. The effigies of Washington, Jefferson, Lincoln and Roosevelt become unrecognizable. In the texts, deployed in a chronological order, we learn, among other things, that the sculptor Gutzon Borglum was a member of the Ku Klux Klan. Buckingham tells real and fictional stories to test their validity and exemplarity in the present. The installation, featuring the image of the Memorial, can lead us to reflect on our role in writing new chapters of this history. * The Memorial is located in South Dakota in the United States, it is an 18 meters high monumental granite sculpture initiated in 1925, representing four of the most significant presidents in American history.


Matthew Buckingham was born in 1963 in the United States of America. He has recently had solo exhibitions at the Art Institute of Chicago and at the Reina Sofia in Madrid. His critical approach reenacts real or fictional stories while interrogating their validity in order to clarify the present. He considers the construction of collective memory and individual memory. He asks how these memories can be diametrically opposed to the writing of History with a capital H dependent on the Modernist ideology of progress. Several of his works are linked to the exploration of the lives of significant individuals, such as important figureheads for Feminism. His work relates to the questions posed as a consequence of Cultural Studies in the 1970s, of Queer and Feminist theories as well as Postcolonial studies. In his articulation of reality and fiction, he is close to works which are already in the collection by Mario Garcia Torres or by Walid Raad.


Colors:



Related artist(s) to: Matthew Buckingham » Annika Eriksson, » Andrea Bowers, » Andrea Geyer, » Antonio Vega Macotela, » Buenos Aires, » Clarissa Tossin, » Edgar Arceneaux, » Emily Jacir, » Guillermo Calzadilla, » Hito Steyerl

Untitled (Wheelchair drawing)
© » KADIST

Edgar Arceneaux

2006

Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...

Potosi
© » KADIST

Antonio Vega Macotela

2022

The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...