In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space. There is no special or definite way to understand it. And it is in this construction where Morales envisions the world as an endless void, or timeless gravity, that we fall deeper and deeper into our own humanity.
Raised in an isolated location between the Atlantic Ocean and the Patagonian Desert, Sebastián Díaz Morales believes his upbringing led him to a very particular way of perceiving the world around him. Using different filmic techniques, from narrative film-like works to found-footage, he explores the relationship between large-scale socio-political power dynamics and individual objectives. His films are often surreal, include no dialogue, and create a tension between reality, fiction, and representation in a visually abstract way. Morales’s films and videos are oftentimes surreal where social reality is reflected in a form that is visually abstract and fantasy-based. Most of his works study the relationships between a large-scale socio-political power and the actions of individuals; they reflect the interactions between people and their environment and social structures. The methods that Morales uses are twofold – in his works he uses both prepared scripts and the uncertainties of real life. His camera is focused on capturing documentary material, but he also uses footage that is experimental and that comes from the realms of science fiction.
SEE WHAT SEE (Feb 2021): DESIRE | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 18, 2021 By Joel Tan Welcome to my new column 1 Does “column” still make sense in the context of a website? for ArtsEquator, where every month I’ll be giving you a little line-up of Singaporean and other Southeast Asian streaming content that I think is interesting and worth talking about in my typically TLDR, long-winded way...
Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Tia-Thuy Nguyen — Sparkle in the vastness Exhibition Painting Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Ends in 13 days: January 11 → February 24, 2024 “Sparkle in the vastness", Tia-Thuy Nguyen’s first show with Almine Rech presents a suite of more than twenty multi-media paintings from the artist’s ongoing series “I, my, me, cloud” (2018–)...
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically...
Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities...
Looking for love: one-off Marina Abramović performance sells out in hours Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Diary blog Looking for love: one-off Marina Abramović performance sells out in hours The queen of performance art is making a rare appearance at the Royal Academy in London The Art Newspaper 8 December 2023 Share Marina Abramović will be staging a one-off performance in London on Monday Marina Abramović, The Artist is Present , 2010...
Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Échantillons de soi Exposition Techniques mixtes Échantillons de soi Encore environ un mois : 29 novembre 2023 → 13 janvier 2024 L’échantillon donne l’idée d’un tout et, quand il y en a plusieurs, ils permettent de prendre des décisions...
Christine Safa — De chair et de pierre — FRAC Auvergne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Christine Safa — De chair et de pierre — FRAC Auvergne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Christine Safa — De chair et de pierre Exhibition Painting Christine Safa, vue de l’exposition De chair et de pierre, Frac Auvergne, 2023 (Détail) Courtesy de l’artiste et galerie Lelong & Co...
How the Fire That Destroyed My Paintings Turned Me Into a Writer ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In via Sourcebooks How the Fire That Destroyed My Paintings Turned Me Into a Writer Jonathan Santlofer on Art, Career Changes, and the Joy of Something New By Jonathan Santlofer January 5, 2024 In 1990, I had a retrospective exhibition in a Chicago gallery—ten years of my artwork collected from museums and private collectors, along with my six newest paintings...
Vietnamese director's debut feature The Third Wife wins award at Toronto Film Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 1, 2018 The directorial debut from Nguyen Phuong Anh, also known as Ash Mayfair, won the Network for the Promotion of Asian Cinema (NETPAC) award at last week’s Toronto International Film Festival (TIFF)...
There was a tragedy in Sialkot, Punjab, in August 2010, when two adolescents were murdered by vigilantes who were apparently in connivance with the police...