Something Other Than What You Are
2018 - Film & Video (Film & Video)
36:00 minute (looped)
Camel Collective
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound. In both works, the 36 minute video depicts a narrative taking place outside of a live theater performance in the form of monologues that moves between the production and technical crew. There is a set of three different characters—a lighting technician, a lighting designer, and a professor all played by the same actress who share in their personal experiences and attitudes the precariousness of their work, the problems and myths of collaboration, and the obsolescence of theatrical technology. Across the soliloquies, light becomes a subject and metaphor for the production of visibility and invisibility in the creative field of theater. Something Other Than What You Are was shot in REDCAT’s theater, using the theater both as a fictional setting as well as subject of study.
Camel Collective comprises the artists Carla Herrera-Prats (Mexican, photographer and conceptual artist) and Anthony Graves (American, painter), who began working together in 2005 during a fellowship at the Whitney Independent Program. However, the origins and evolution of the collective has drastically changed over the last decade. First, it was a larger research and discursive group organized to question ideas around labor, affect, and collectivity. At the time, in the context of the Bush administration and the Iraq War, the group was primed with artists, along with a few architects, writers and curators developing their careers in political discourse and cultural opposition. Mapping a unique artistic trajectory, their agenda also interrogated the history of artist collaboration, and sought out projects to support artist’s rights and potential unionization of artists. It wasn’t until 2010 the group condensed to only Herrera-Prats and Graves, who have focused their individual practices under Camel Collective to address the problems of contemporary work and collaboration through performance, video, sculpture, and photography.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Weekly Southeast Asia Radar: The future of The Projector; mask theatre Lakhon Khol | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via South China Morning Post April 29, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » THEARTNEWSPER
Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Looted art news Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Disagreement centred over whether the painting, looted in 1868 and later sold to a private collector in Portugal, should be bought by the government and returned to Ethopia Martin Bailey 5 February 2024 Share The remarkably well-preserved Kwer’ata Re’esu was taken during the British military offensive in Ethiopia in 1868 Photo: © Martin Bailey, The Art Newspaper...
© » ART & OBJECT
The Top Archaeological Finds of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Mario Garcia Torres
2010In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
© » ARTS EQUATOR
A sound collaboration: 宿 (stay) at Sydney Festival 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Guido Gonzalez January 31, 2020 By Maria Herminia Graterol Garrido (571 words, 4-minute read) There is a huge difference between watching a great piece of theatre with a beautiful original score, and experiencing a process that gives equal importance to all the creative aspects, including sound...
© » ARTS EQUATOR
AExGTF Chats: "Between Tiny Cities (រវាងទីក្រុងតូច)" at George Town Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles https://artsequator.com/wp-content/uploads/2018/08/Between-Tiny-Cities.mp4 August 8, 2018 Between Tiny Cities (រវាងទីក្រុងតូច) , a two-hander dance performance dovetailing b-boy vocabulary with contemporary dance, was the result of a three-year cultural exchange between Tiny Toones in Cambodia and Darwin City Rockers in Australia...
© » ARTS EQUATOR
Reconstructing the Virtual in “Frogman” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 14, 2019 By Shawn Chua (1,088 words, 6-minute read) Having securely fastened the headgear, I am submerged into the virtual world of Frogman...
© » ARTS EQUATOR
The Personal, the Humour and the Horror: Interview with Irwan Ahmett | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Hideto Maezawa October 7, 2019 By Patricia Tobin (1,140 words, 6-minute read) The concluding production of TPAM 2019 was Constellation of Violence , a lecture-performance by artist Irwan Ahmett, which focused on the culmination of the Cold War in Indonesia in 1965, from its lead-up to its aftermath...
© » THEARTNEWSPER
Is censorship on the rise in the West? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast Is censorship on the rise in the West? Plus, Frank Auerbach at the Courtauld and an Indian painting from Howard Hodgkin’s collection Hosted by Ben Luke ...
