September 2007

Mario Garcia Torres

location: Mexico City, Mexico
year born: 1975
gender: male
nationality: Mexican
home town: Monclova, Mexico

Mario García Torres is a conceptual artist who engages with various media in his practice, including film, sound, performance, ‘museographic installations’ and video. García Torres often cites untold or ‘minor’ histories, with a predilection for avant-garde art and music from the 1960s and 70s as departing points for his work. He has recreated historical exhibitions and has even ‘completed’ unfinished artworks, often blurring original and reenactment, past and present, while questioning universal ideas about truth, certainty and time – all core ideas in the development of his body of work.


Colors:



Related works featuring themes of: » Calarts, » Collective History, » Contemporary Conceptualism, » Film/Video, » Mexican

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

2012

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Untitled (Wheelchair drawing)
© » KADIST

Edgar Arceneaux

2006

Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Why fear the future?
© » KADIST

Carlos Amorales

2005

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

El hombre que hizo todas las cosas prohibidas
© » KADIST

Carlos Amorales

2014

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...

No World
© » KADIST

Fang Lu

2014

No World is an action-filled video work filmed inside an abandoned museum in the Songzhuang area outside Beijing...

Lift with care
© » KADIST

Hu Yun

2013

This research-based artwork acts as a memorial to early twentieth century European exploration of China...

A poem written by 5 poets at once (first attempt)
© » KADIST

Koki Tanaka

2013

This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...

Island
© » KADIST

Kan Xuan

2006

In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups...

The Cloud of Unknowing
© » KADIST

Ho Tzu Nyen

2011

The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...

Walking Through
© » KADIST

Koki Tanaka

2009

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

2013

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

7-headed Lalandau Hat
© » KADIST

Yee I-Lann

2020

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...