© » KADIST
John McCracken
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.
© » KADIST
Larry Bell
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.
© » KADIST
Larry Bell
Drawing & Print (Drawing & Print)
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.
© » KADIST
Mateo Lopez
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
© » KADIST
Mateo Lopez
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
© » KADIST
Ranu Mukherjee
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.
© » KADIST
Voluspa Jarpa
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile. The cutouts in the acrylic represent the content that was blacked out when the pages were released to the public. For Jarpa, that so much content from these documents was deleted before declassification is symptomatic of hysterical behavior, which, in Freudian psychoanalysis, results from the inability to deal with trauma.
© » KADIST
Arabella Campbell
In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe. Through a curatorial act of collection and arrangement, Campbell alchemizes discrete instances of color, fabricating a gradient. Viewed alone, each berry would be unremarkable.
© » KADIST
Oscar Tuazon
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement.
© » KADIST
Santiago Borja
Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references. They were hand-woven in Teotitlán del Valle, Oaxaca, Mexico, and are composed of nine squares, the middle one left unwoven. Their composition is based on Red Square, White Letters (1962) by Sol Lewit, but they also take cues from works like Black Series II by Frank Stella.
© » KADIST
Jean-Luc Moulène
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice. Created for an exhibition in Kitakyushu in Japan, it is painted green, a color that symbolizes life and creation in Japanese culture. Even though we are confronted with a hollow presence, this is above all a space to lodge a body in the vertical posture of the living.
© » KADIST
Julius Koller
Drawing & Print (Drawing & Print)
Anti-Happening refers to Koller’s 1965 manifesto, ‘Anti-Happening (System of Subjective Objectivity)’. In opposition to the notion of a ‘happening’ as a way of actualising group identity, in his manifesto, Koller stated that his concept of the ‘anti-happening’ aimed at a ‘cultural reshaping of the subject, at awareness, at the surroundings and the real world’ [i] . Unlike happenings, these actions do not involve the staging of psychologically expressive performances.
© » KADIST
Yee I-Lann
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors. The artwork belongs to Yee’s series Picturing Power (2013) that deals with the destabilizing impacts of neo-colonialism and globalization on Southeast Asia’s history. Yee approaches the aesthetics and politics of the ethnographic gaze with both irony and humanity, challenging the modes of seeing inherent to the British colonization of Malaysia.
© » KADIST
Jordan Ann Craig
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag. Intrigued by the two shades of blue used for the source object (a deep dusty blue and a bold vivid cobalt blue) the artist replicated these shades in her painting. Craig then added in her own colors, including the pink-orange hues, to achieve a bold but soft quality about the work, as she states that she intended the work to convey vulnerability.
© » KADIST
Erin Shirreff
Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.
© » KADIST
Alexis Smith
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage. Iron is one of nature’s most abundant metals. Smith, a philosopher of human detritus and poetic associations, presents it in this work as simultaneously everywhere yet paradoxically forgotten, lost in the heaps of refuse that fill junkyards and vacant lots.
© » KADIST
Cildo Meireles
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
© » KADIST
Burak Delier
Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance. The sculpture represents Italian soccer player Mario Balotelli, who intentionally missed an opportunity to score during a 2011 game between LA Galaxy and Manchester City. The miniature Balotelli stands on his left foot, raising his right foot to kick the ball.
© » KADIST
H.H. Lim (Hooi Hwa)
Images is a two channel video work addressing the relationship between art and ritual. On the left side, the artist is filmed in a sparse, red room with his tongue nailed onto a red table. With Lim’s freedom of movement and speech limited, the viewer focuses on the facial expressions of the artist as different streams of thoughts and realizations enter his mind.
© » KADIST
Alexis Smith
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage. The surfboard, an emblem of Southern California, emblazoned with the image of an eight-ball, references numerous tropes and clichés of American popular culture, specifically subcultures related to pool halls, surfing, and beaches. Indeed, this model-scale surfboard may be a future pop-culture relic, referencing a particular surfer or era of board design.
© » KADIST
Matthieu Saladin
Drawing & Print (Drawing & Print)
L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B. C. of 150 historical episodes of debt cancellation (one event per poster). Unlike usual stacks, each poster is different, in its content, but equally in its design (realized by the graphic studio Vier5). As the public takes the posters, the artwork developed into a verified history of cancellation that emerges, a kind of counter-history of indebtedness.
© » KADIST
Ming Wong
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space.
© » KADIST
Erika Verzutti
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.
© » KADIST
Gary-Ross Pastrana
Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space. The poetic footage filmed by the artist portrays three interconnected worlds: a colony of termites; a piano repair workshop in the outskirts of Manila; and an empty concert theatre. Their interconnectivity is shaped by the voice-over of three narrators: a musician discussing the balance between order and chaos found in classical music; a piano repairman describing termite infestations in an instrument of European origin; and a scientist describing the unique social structures of this tropical parasite.
© » KADIST
Mona Marzouk
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters.
© » KADIST
Mona Marzouk
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters.
© » KADIST
Ben Shaffer
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision. Often the artist works with the motifs of the counterculture and contemporary non-religious spiritualism. The figure hangs suspended—seemingly ascending—animation.
© » KADIST
Judy Chicago
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles. By 1968, the year she began creating Domes , the twenty-nine-year-old artist had moved from Chicago to Los Angeles, graduated from UCLA, and was part of a generation of artists whose work was characterized by of the masculine overtones of Southern California’s flourishing car culture. Inspired by new technologies in the auto manufacturing, these “Finish Fetish” artists appropriated industrial materials such as car paint or lacquer to create artwork with pristine finishes.
© » KADIST
Antonio Vega Macotela
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela. Historically, these mines bankrolled Spanish imperial coinage; the Spanish began excavating the site for silver in 1545 in what is now Bolivia. The mines themselves are situated at great altitude in the Andes, and are inhospitable to animal labor.
© » KADIST
Camel Collective
Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects. To construct a future scenario in the imagination of the viewers, a voiceover narrates two perspectives of futuristic practices in architecture and social behaviors: neo-primitives on one hand, who value organic materials and design based on geometric forms, and futurists on the other hand, who value organic forms and computer design. In this constructed universe, both perspectives lead to societal structures that malfunction due to issues with their design, which are not in line with their users’ needs.
Julius Koller
- location: Pieštany, Slovenská Republika
- year born: 1939
- gender: male
- nationality: Slovakian
Alexandre da Cunha
- location: London, United Kingdom
- year born: 1969
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Yee I-Lann
- location: Kuala Lumpur, Malaysia
- year born: 1971
- gender: female
- nationality: Malaysian
- home town: Sabah, Malaysia
Nontawat Numbenchapol
Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...
Rocky Cajigan
Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...
Larry Bell
- location: Venice, California
- year born: 1939
- gender: male
- nationality: American
- home town: Chicago, Illinois
Mateo Lopez
- location: Bogota, Colombia
- year born: 1978
- gender: male
- nationality: Colombian
- home town: Bogota, Colombia
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Mona Marzouk
Mona Marzouk is an artist whose practice is deeply rooted in a keen sense for architecture...
Matthieu Saladin
Through a conceptual approach, Matthieu Saladin (born in 1978 in France) develops his practice around an exploration of how contemporary economic mechanisms shape social relations and subjectivities...
Lisetta Carmi
Lisetta Carmi was born into a middle-class Jewish family in Genoa, Italy...
Lenora de Barros
Lenora de Barros studied linguistics and started her artistic career in the 1970s...
Judy Chicago
- location: Belen, New Mexico
- year born: 1939
- gender: female
- nationality: American
- home town: Chicago, Illinois
Santiago Borja
Santiago Borja’s work explores improbable connections between different thought systems, thus emphasizing the cannibalistic nature of modernism, and its inherently esoteric, yet seemingly “rational”, character...
Teresa Burga
A pioneer of Latin American Conceptualism, since the 1960s, Teresa Burga has made works that encompass drawing, painting, sculpture, and conceptual structures that support the display of analytical data and experimental methodologies...
Ming Wong
- location: Berlin, Germany
- year born: 1971
- gender: male
- nationality: Singaporean
- home town: Singapore
John McCracken
- year born: 1934
- gender: male
- nationality: American
- home town: Berkeley, California
Michael Craig-Martin
Michael Craig-Martin studied fine art at Yale University returning to Europe in the mid-1960s and becoming one of the key figures in the first generation of British conceptual artists...
Ranu Mukherjee
- location: San Francisco, California
- year born: 1966
- gender: female
- nationality: Indian
Claire Fontaine
Claire Fontaine is a Paris-based collective, founded in 2004...
Musquiqui Chihying
Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...
Mladen Stilinovic
Mladen Stilinovic is one of the most significant representatives of neo-avant-garde art in Central and Eastern Europe...
Ana Vaz
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Ho Rui An
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Ben Shaffer
- year born: 1924
- gender: female
- nationality: Canadian
- home town: Louiseville, Canada
Voluspa Jarpa
Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory...
Arabella Campbell
Arabella Campbell is a Vancouver-based painter who explores the intricacies of abstraction...
© » ARTSY
about 3 months ago (02/12/2024)
Neo-Expressionist artist Karl Horst Hödicke has died at 85...
© » ART & OBJECT
about 3 months ago (02/12/2024)
Highlights from The Winter Show 2024 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ART & OBJECT
about 3 months ago (02/12/2024)
Art & Object's 13 Favorite Stories of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » TWOCOATSOFPAINT
about 3 months ago (01/27/2024)
Andy Meerow, medium cool – Two Coats of Paint Andy Meerow, installation view of Slanted Andy” at Derosia Contributed by Jonathan Stevenson / In Haskell Wexler’s iconic 1969 counterculture film Medium Cool , John Cassellis, a cold-eyed TV photojournalist played by the great Robert Forster, has internalized the notion of television as a “cool” medium in the McLuhan-esque sense of requiring viewers to search for context in order to understand what they are seeing...
© » ARTSY
about 3 months ago (01/24/2024)
Pace Gallery announces global representation of Paul Thek’s estate...
© » TWOCOATSOFPAINT
about 3 months ago (01/23/2024)
Joan Snyder’s brilliant command of chaos – Two Coats of Paint Joan Snyder, Burlap Bars, 2022, oil, acrylic, rosebuds, twigs, burlap on linen, 54 × 66 inches Contributed by Abshalom Jac Lahav / “ComeClose,” Joan Snyder’s current exhibition at Canada , testifies to her enduring brilliance and evolving artistic language...
© » BROOKLYN STREET ART
about 3 months ago (01/23/2024)
Bartek Świątecki: “the light vibrates under our eyelids” in Stare Kawkowo | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY The nature’s gentle harmony is, probably, the best remedy for the speeding time of today...
© » LENS CULTURE
about 4 months ago (01/19/2024)
Golikro - Photographs by Olivier Khouadiani | Essay by Rebecca Horne | LensCulture Award winner Golikro Calling upon lost ancestral traditions in his black and white photographs, Olivier Khouadiani enlists the children of Amanikro, a village in Côte d’Ivoire, to connect past and present in the face of the future...
© » ART AND CAKE
about 4 months ago (01/18/2024)
Artist Spotlight: Douglas Alvarez – Art and Cake January 18, 2024 January 18, 2024 Author Artist Spotlight: Douglas Alvarez Coffee Shop What does a day in your art practice look like? When not dealing with graphic design projects, I start my mornings working on the painting on my easel...
© » SLASH PARIS
about 4 months ago (01/08/2024)
Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Michel Parmentier — 15 février 1984 — 12 août 1985 Exhibition Painting Michel Parmentier, 15 février 1984 (détail) © ADAGP, Paris...
© » IGNANT
about 5 months ago (12/16/2023)
Baroque Minimalism: A Conversation With Muller Van Severen - IGNANT Name Muller Van Severen Images Pieter Peulen Words Rosie Flanagan Fien Muller and Hannes Van Severen met in 2001 at the LUCA School of Arts in Ghent...
© » HYPERALLERGIC
about 5 months ago (12/13/2023)
Rules & Repetition: Conceptual Art at the Wadsworth Atheneum Skip to content “The Maze and Snares of Minimalism” (1993) by Carl Andre in front of Alfred Jensen’s “The World As It Really Is” (1977), on view in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum The Wadsworth Atheneum Museum of Art presents works by groundbreaking conceptual artists of the 1960s and ‘70s alongside more recent acquisitions in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum ...
© » SLASH PARIS
about 5 months ago (12/12/2023)
Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Laura Lamiel — Ursule Exhibition Installation, sculpture Laura Lamiel, Ursule (2), 2023 — Vue de l’exposition Ursule, 2023...
© » HYPERALLERGIC
about 5 months ago (12/10/2023)
How peter campus Changed the Video Art Game Skip to content Still from peter campus, "Three Transitions" (1973), single-channel video with sound, 4:53 mins...
© » SOUTH CHINA MORNING POST
about 5 months ago (12/05/2023)
German artist Neo Rauch on ‘punching back’ at critics as he holds second solo exhibition in Hong Kong | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more German artist Neo Rauch with his “Die Nachtfalterin” (2023) at David Zwirner gallery in Central, Hong Kong, where he is holding his latest solo exhibition...
© » TWOCOATSOFPAINT
about 5 months ago (12/05/2023)
Louis Fratino’s happy equilibrium – Two Coats of Paint Louis Fratino, Red Nude (After Mafai), 2023, oil on canvas 65 x 94 inches Contributed by Margaret McCann / Louis Fratino’s paintings in “In bed and abroad” at Sikkema Jenkins depict varied social situations, from intimate scenes to foreign climes...
© » OBSERVER
about 5 months ago (12/01/2023)
Review: ‘Glory of the World: Color Field Painting (1950s to 1983)’ | Observer Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside New York City—a place we know and love that already receives plenty of attention...
© » ARTOMITY
about 6 months ago (11/14/2023)
Neo Rauch at David Zwirner Hong Kong – ARTOMITY 藝源 Neo Rauch / Field Signs / Nov 16, 2023 – Feb 24, 2024 / Opening Reception: Thursday, Nov 16, 5pm – 7pm Discusion led by Dr Shen Qilan: Friday, Nov 17, 5pm – 6pm The talk will be conducted in English...
© » ARTOMITY
about 6 months ago (11/01/2023)
Asia Art Archive annual fundraiser auction – ARTOMITY 藝源 aaa2023auction.com Asia Art Archive (AAA)’s 2023 Annual Fundraiser features an auction of over 55 works, generously donated by artists, galleries, and individuals...
© » BOMB
about 7 months ago (10/09/2023)
BOMB Magazine | Jack Pierson Interviewed Necessary (Required) Cookies that the site cannot function properly without...
© » TATE EXHIBITIONS
about 12 months ago (05/23/2023)
Rhea Dillon | Tate Britain A new body of sculptures by Rhea Dillon that consider the formation of British and Caribbean identities Rhea Dillon: An Alterable Terrain brings together new and existing sculptures as a conceptual fragmentation of a Black woman’s body...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Among the artists he collected were John Baldessari, Marcel Broodthaers, stanley brouwn, Donald Judd, On Kawara, and Joseph Kosuth....
© » ARTS EQUATOR
about 40 months ago (01/15/2021)
Festival Forum: Meeting-In-Progress at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 15, 2021 Where can we find each other? And where do we go from here? Happening on Saturday, January 23 2021, Festival Forum: Meeting-In-Progress discusses ideas, processes and ways forward in this new year of not-so-new normals....
© » ARTS EQUATOR
about 63 months ago (03/06/2019)
By Elsa Lim (1090 words, four-minute read) It was a lazy Sunday afternoon in early December, and the Visitor......
© » PAINTERS' TABLE
about 64 months ago (01/22/2019)
Seen in New York, January 2019 | Painters' Table Skip to main content Seen in New York, January 2019 Submitted by Paul Corio on January 21, 2019...
© » PAINTERS' TABLE
about 65 months ago (01/06/2019)
Sex Object Lesson: Lisa Yuskavage at David Zwirner | Painters' Table Skip to main content Sex Object Lesson: Lisa Yuskavage at David Zwirner Submitted by Margaret McCann on January 6, 2019...
© » ARTS EQUATOR
about 67 months ago (11/04/2018)
Foolishness and Enlightenment in “Lear is Dead” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Casidhe Ng (1,200 words, six-minute read) “You are a madman, and we are but fools,” the ensemble resounds...
© » ARTS EQUATOR
about 71 months ago (06/27/2018)
M1 Open Stage + DiverCity - Contact Contemporary Dance Festival Thinking and Talking about Arts and Culture in Southeast Asia Articles June 27, 2018 This year, with an increased number of international programme collaborators, M1 Open Stage features innovative and exhilarating works by a diverse range of dance artists over two nights...
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1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Lisetta Carmi
1969On New Year’s Eve in 1965, Lisette Carmi met and photographed a group of transgender people living and working on the Via del Campo in Genoa–the main street for prostitution in the city, located in the former Jewish ghetto...
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1970-1979
Cildo Meireles
1975Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
Julius Koller
1978This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
Larry Bell
Drawing & Print
1979(Drawing & Print) Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
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1980-1989
Julius Koller
Drawing & Print
1982(Drawing & Print) Wordplay was a central focus of Koller’s work, in particular the acronym U...
Mladen Stilinovic
1985The Exploitation of the Dead cycle is composed of a very large number of elements which the artist reorganizes differently every time...
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1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
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2000-2009
H.H. Lim (Hooi Hwa)
2004Images is a two channel video work addressing the relationship between art and ritual...
Diana Thater
2005In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...
Alexandre da Cunha
2005His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Alexandre da Cunha
2005Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
Claire Fontaine
2006Foreigners Everywhere is a series of neon signs in several different languages...
Larry Bell
2007Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Ben Shaffer
2007Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Otobong Nkanga
2008Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
Jean-Luc Moulène
2009Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
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2010-2019
Alexandre da Cunha
2010In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Arabella Campbell
2011In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe...
María Buenaventura
2011The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban...
Alexandre da Cunha
2011The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Mateo Lopez
2012With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Mateo Lopez
2012With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Voluspa Jarpa
2012To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Santiago Borja
2012Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references...
Nicholas Mangan
2012Executed in 2012, A World Undone revolves around a single, metaphorically rich substance, drawing on geological research into an ancient mineral, Zircon, unearthed in remote Western Australia...
Yee I-Lann
2013Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Burak Delier
2013Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance...
Igor Grubic
2013The installation “East Side Story” is based on events that took place in the streets of Belgrade in 2001 and Zagreb in 2002, during the Gay Pride demonstrations, where the participants were the victims of verbal and physical injury by neo-Nazi groups and other citizens...
Fernanda Gomes
2013For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Oscar Tuazon
2014Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
Mona Marzouk
2014Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Mona Marzouk
2014Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Adriano Costa
2014Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted...
Erika Verzutti
2015Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Matthieu Saladin
Drawing & Print
2016(Drawing & Print) L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B...
Diego Marcon
2017Monelle by Diego Marcon was filmed at night inside the infamous Casa del Fascio, the headquarters of the local Fascist Party in Como Italy, designed by Giuseppe Terragni under Mussolini’s rule...
Laura Lima
2017Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
Rocky Cajigan
2017From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Rocky Cajigan
2017From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Gary-Ross Pastrana
2018Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
Camel Collective
2018Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Christina Quarles
2018The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
Dale Harding
2018Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Jordan Ann Craig
2019Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
Naomi Rincón-Gallardo
2019Resiliencia Tlacuache / Opossum Resilience by Naomi Ricón Gallardo is a fabulation in which four characters find themselves in temporalities that overlap Mesoamerican narratives about the creation of the world with the contemporary time of accumulation by dispossession...
Teresa Burga
Drawing & Print
2019(Drawing & Print) In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...
Musquiqui Chihying
2019The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph...
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2020-2029
Yee I-Lann
20207-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Wisrah Villefort
2020This video is a montage of documentary and virtual images found on the Internet...
Lenora de Barros
2021Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word...
Antonio Vega Macotela
2022The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...
Ana Vaz
2022Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
