NFT (NFT)

Indiscreet Units by Harm van den Dorpel is a group of more than 266 hue-rotating flags, stored on the Ethereum blockchain and IPFS. This is a project about the indeterminacy of color, and that variability as a metaphor for larger social and political forces. Each NFT in the series is the official flag design for nations (and related entities) around the world.

Drawing & Print (Drawing & Print)

The series of ink drawings and hand-lettered texts, titled COVID-19: Labor Camp Reports , were made and posted daily by artist Piotr Szyhalski on the @LaborCamp Instagram account, capturing the politically fraught Trump era and looking directly at some of the most painful aspects of life during COVID-19. Accompanied by poignant captions written or chosen by the artist, this ongoing series, running for more than 100 days and still counting, operates as both a witness to the global health crisis and a record of the unprecedented moment experienced collectively. In the dozens of drawings, Szyhalski draws upon his personal collection of historical material, citing the compositions and graphic style of war-time politprop, religious pamphlets, military recruitment posters, and other forms of state and anti-state propaganda.

Photography (Photography)

To the Cardinal Gods: Central Axial Consecration (Site 6) is from a 2017 series made by Ren Zi during a residency in the Arctic Circle. The work reflects upon the serious ecological issues we face today. During the residency Ren Zi was joined by other artists, scientists, architects and educators exploring the high-Arctic Svalbard Archipelago in an interdisciplinary and collaborative endeavour to create work addressing such issues.

Film & Video (Film & Video)

Heba Y. Amin’s 2016 film As Birds Flying uses found footage from drones in an allegorical response to a 2013 news story of a migratory bird with an electronic device attached to its ankle who was detained by the Egyptian authorities, suspected of espionage. For the artist, the story represents the paranoia and suspicion endemic to a context of global surveillance. Filmed from a bird’s-eye perspective, or a spy’s perspective, the images span the savannas and wetlands of Galilea.

Film & Video (Film & Video)

In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area. The first of its kind in Southeast Asia. Located at a depth of 130 meters beneath the Banyan Basin on Jurong Island, the Caverns provide infrastructural support to the petrochemical industry that operates on Singapore’s Jurong Island, a cluster of islets reclaimed into one major island and connected to the mainland in the 1980s.

Film & Video (Film & Video)

In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area. The first of its kind in Southeast Asia. Located at a depth of 130 meters beneath the Banyan Basin on Jurong Island, the Caverns provide infrastructural support to the petrochemical industry that operates on Singapore’s Jurong Island, a cluster of islets reclaimed into one major island and connected to the mainland in the 1980s.

Film & Video (Film & Video)

Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence. It looks at the role of popular culture and labor strikes through the 40s and 50s following the band Ngola Ritmos who embarked upon a consciousness-raising mission with their pro-independence political music. Through both their clandestine activities and their music, the band is credited with aiding political mobilization take off in Angola.

Photography (Photography)

In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way.

Photography (Photography)

In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way.

Photography (Photography)

In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way.