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Aurélien Froment
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon. The previous work took the form of four photographs presenting a page illustrated with three images. By studying these with more attention, it is possible to figure out that these objects were placed behind the pierced card with three openings.
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Gabriel Pericas
“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium. The design of this chair makes stacking easy and rational. At the same time, this stack produces an optical effect that creates a shape resembling a tunnel or a subterranean passage.
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Baris Dogrusöz
The series of works gathered under the title Heure de Paris combines footage of Turkey from Turkish and French media reportage from the 1980s. Using archival material, including maps, television emissions, footage, Dogrusöz’s brings to light the state monopoly on radio and TV that ended in 1994 and the impact this had on documentation and reportage in this period. In Heure de Paris: The map and the territory , Dogrusöz collected and displays all the occurrences where maps of Turkey, frequently used in public French television, were reported.
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Harrell Fletcher
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States.
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Hank Willis Thomas
Drawing & Print (Drawing & Print)
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
Akram Zaatari
- location: Sayda, Al-Lubnan
- year born: 1966
- gender: male
- nationality: Lebanese
Harrell Fletcher
- location: Portland, Oregon
- year born: 1967
- gender: male
- nationality: American
- home town: Santa Maria, California
Gabriel Pericas
Gabriel Pericàs (b...
Hank Willis Thomas
- location: New York, New York
- year born: 1976
- gender: male
- nationality: American
- home town: Plainfield, New Jersey
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2000-2009
Harrell Fletcher
2005The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
Aurélien Froment
2008dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
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2010-2019
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Gabriel Pericas
2014“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...
Baris Dogrusöz
2014The series of works gathered under the title Heure de Paris combines footage of Turkey from Turkish and French media reportage from the 1980s...