Sculpture (Sculpture)

My Shape (2018) is the final work of the exhibition “Sorry”, taking the form of a Levi’s denim jacket pattern, expanded three or four times larger than its original shape. Adorned with different pockets, visible through the transparency of the paper and different light bulbs illuminating the form, white cables link the piece to hidden plug sockets, recalling a similar piece made by the artist for the 2015 Ricard Foundation prize. The work is representative of a series of recurrent concepts in the artist’s work manipulation of scale, abstraction through monumentalization, highlighting of tangential objects integrated like sculptural elements by the artist, in a way in which others might try and hide them, as well as the melding of the intimate alongside objects of mass production and the globalization of tastes.

Installation (Installation)

NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist. The “billboard sign,” like a ready-made, plays with the different meanings of the title, literally and abstractly. The repetition of the sign, as it has used in Minimal and Conceptual art, fills the space.

Film & Video (Film & Video)

In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups. These highly polished and aestheticized images create a poetic visual flow. However, in front of each object lies a coin of different value—two yuan, one pound, one euro, one dollar—that silently reveals the material value of the household supplies.