© » KADIST
Randa Maroufi
Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta. The film is a portrait of the ‘doorway to Europe’, a place where a murky economy of semi legal exchanges take place across a border anomaly. The border is represented by painted lines across the tarmac, as innocent as playground markings but with far greater consequences.
© » KADIST
Yoshinori Niwa
Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works. As the title of this work indicates, Niwa visits several currency exchanges in the market in Istanbul and proceeds to continually exchange from one currency into another until he has no money left, going against the grain of the economy. The laborious act of exchanging the currency back and forth does not create any profit.
Randa Maroufi
Randa Maroufi works with video, photography, installation and performance, growing up among a society dominated by images, she is as critical and as skeptical of them as she is attracted to them...
Yoshinori Niwa
Yoshinori Niwa’s practice takes the form of social interventions, executed through performance, video and installation...
