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Matthieu Saladin
Drawing & Print (Drawing & Print)
L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B. C. of 150 historical episodes of debt cancellation (one event per poster). Unlike usual stacks, each poster is different, in its content, but equally in its design (realized by the graphic studio Vier5). As the public takes the posters, the artwork developed into a verified history of cancellation that emerges, a kind of counter-history of indebtedness.
Matthieu Saladin
Through a conceptual approach, Matthieu Saladin (born in 1978 in France) develops his practice around an exploration of how contemporary economic mechanisms shape social relations and subjectivities...
