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theme: dimensionality.n.01



Artist Traits

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Temple Creek, a branch of Escalante River, Aquarius Plateau Utah n.d. (Stereoscopic view)
© » KADIST
Temple Creek, a branch of Escalante River, Aquarius Plateau Utah n.d. (Stereoscopic view)

Shaun O'Dell

The San Francisco–based artist Shaun O’Dell often uses natural settings as subject matter, lending an artistic complexity to the landscapes he depicts. Stereoscopic images are dual, slightly offset identical pictures that, when seen through a special viewing device, appear three-dimensional. In Temple Creek, a branch of Escalante River, Aquarius Plateau Utah n.d. (Stereoscopic view) (2011) O’Dell has chopped each of the two side-by-side images into 10 vertical strips and mixed them up, to construct a new image.

Purple Brush 8
© » KADIST
Purple Brush 8

Shaun O'Dell

Painting (Painting)

Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures. Whether abstract or figurative, they often read like hieroglyphics, in that they piece together a philosophical portrait of reality. Purple Brush 8 is a painting that details a meeting of geometric forms, and the optical play that results.

Perspective
© » KADIST
Perspective

Anna Molska

Film & Video (Film & Video)

Perspective was filmed during a residence in northern Poland. The film is preceded by a series of photographs made ? ?in her studio.

Made in Heaven
© » KADIST
Made in Heaven

Mark Leckey

Film & Video (Film & Video)

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio. It isn’t just any object, but an iconic sculpture of the end of the 20th century: Jeff Koons’ Bunny. One key question in this work is of course the construction of images, but there is also the question of sculpture, of the passage from two-dimensionality to three-dimensionality.

Execution Changes #22
© » KADIST
Execution Changes #22

Julian Hoeber

Painting (Painting)

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.

Shaun O'Dell

Shaun O'Dell

Julian Hoeber

Julian Hoeber

Mark Leckey

Mark Leckey

Anna Molska

Anna Molska

Anna Molska uses video performance to explore the effect of artistic culture on the production of art...