6 items, 101ms

» Refine your search

theme: corporation.n.01



Decade Work Created

Object Sub Type

Classification

Object Type

Nationality

Region

Genres

Collections

Artist Traits

Artist Name

Guarana Power Commercials
© » KADIST

SUPERFLEX

Film & Video (Film & Video)

SUPERFLEX makes a distinction between two types of projects with different temporalities: works that occur during an exhibition and other that evolved over several years. Thus, since 1997, they are working on a biogas system (SUPERGAS), first installed in Kenya, then Thailand and today in Mexico, perfecting at each stage the means of production, utilization and commercialization of this system. GUARANA POWER is one of these sustainable projects that create a real economy.

Product Recall
© » KADIST

Carey Young

Film & Video (Film & Video)

“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations. Young enters a practicing psychoanalyst room and begins a session. Dressed in corporate business attire, Young encompasses both the corporation and individual.

Orión
© » KADIST

Adriana Martínez

Sculpture (Sculpture)

Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation. In the place of stars, Martínez has substituted the logos of international corporations and entities that use stars as their symbol; celestial navigation commanded by the logic of international corporations. Easily spotted is the smiling face of the Carl’s Jr. / Hardee’s logo, the three-pronged Mercedes-Benz emblem, Walmart’s six-pointed asterisk, and the starry cluster of the Subaru shield.

A taste for life, Baragwanath Terminus, Diepkloof
© » KADIST

Santu Mofokeng

Photography (Photography)

Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships. In South Africa, a billboard is a relic from the times when Africans were subjects of power and when townships were restricted areas, subject to laws, municipality by-laws and ordinances regulated the movement of persons and governed who may or may not enter the township. Mofokeng references this medium for control through tracing the history of townships in South Africa.

The Result of 1000 Pieces
© » KADIST

Lin Yilin

Photography (Photography)

All his artworks utilize the use of body – the artist’s own body and that of others. The Result of 1000 Pieces typi?es an image of Lin: Lin is standing in an empty hole of a brick wall. By incorporating the brick wall for his work, Lin develops a speci?c strategy to question and negotiate with the relationship between people and the changing environments.

Carey Young

Lin Yilin

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

SUPERFLEX

SUPERFLEX work on a number of projects linked to their avowed interest in political and social engagement on a local scale...

© » KADIST

about 101 months ago (01/28/2016)