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Olivia Erlanger
Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity. Consumption and the construction of value are a frequent concern of her sculptures that explore the structural friction between a public and private. Erlanger looks to the architecture that connects these systems for inspiration and in this sense, the language of scaffoldings, foundations and facades that percolate throughout her work.
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Julien Crépieux
Julien Crépieux is interested in the medium of video and its confrontation with cinema. Microfilm is a video transcription of a cinematographic work. It isn’t a remake or an adaptation, but a transcription in the musical sense.
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Pedro Reyes
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste. There is a missing organ in our social metabolism which would work as a stomach or intestines. The Recyclone is a device made of plastic containers that fit into each other.
Pedro Reyes
- location: Mexico City, Mexico
- year born: 1972
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Olivia Erlanger
Olivia Erlanger is a New York based artist that works between sculpture and conceptual art...
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2000-2009
Pedro Reyes
2005In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
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2010-2019
Julien Crépieux
2012Julien Crépieux is interested in the medium of video and its confrontation with cinema...
Olivia Erlanger
2016Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity...