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Arima’s free brushstrokes gesture towards traditions in Expressionist painting. As with the acrylic painting Ticket (also 2015), Person in Red Sweater could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content. But if his portraits resist social commentary, they nonetheless challenge conventional standards of beauty through a decided embrace of decayed forms and colors.
Kaoru Arima experiments with painting in order to discover new expressive forms...